Unnerving as it may be, the campaign is a great use of technology to deliver a powerful message. The agency is Y&R, Moscow. Bravo!
Feel free to share this post and your views in the comments below.
Unnerving as it may be, the campaign is a great use of technology to deliver a powerful message. The agency is Y&R, Moscow. Bravo!
Feel free to share this post and your views in the comments below.
If you live and work within driving distance of Houston, you owe it to yourself to come spend a day or two listening to and learning from Adobe’s experts as they teach all you need to know about the various applications within the Creative Cloud.
As the one stop source for finding creative talent in the Houston area, Only in Houston (OiH) is proud to be take part in presenting this Creative Cloud Masters Conference. Thanks to a partnership with Future Media Concepts, OiH members can now save 25% on their registration. Use promo code OiH15 to redeem your discount.
WHY ATTEND?
Advance your skills with cutting-edge sessions
Discover time-saving techniques
Learn from top instructors in the field
Network with peers and expand your professional network
A must-attend event created for graphic designers and other creatives to perfect and diversify their skills. Join top industry speakers to learn the latest Adobe print and web design tools, plus get started in video production. The conference agenda features 3 days of training on graphic design, print, web design and motion graphics. Organized in Houston on March 11-13. Use discount code OiH15 to save 25% on your registration.
American Luxury Magazine (from which you can view additional photos) recently sent out an e-newsletter featuring a variety of super-luxurious items. Among them was a select group of photographs featuring Steve Jobs’ yacht. Yet again, creativity and innovation done the Apple way.
A 256-foot yacht designed for the late Steve Jobs was captured in numerous photographs as it sailed in to the British Virgin Islands.
The yacht, called Venus, was designed by Philippe Starck. Jobs reportedly commissioned the building of the yacht after sailing on his friend Larry Ellison’s Yacht. The yacht was not finished until 2012, nearly a full year after Jobs’ passing.
The yacht has six bedrooms and features high-tech automation systems. The exterior is crafted from aluminum and steel and looks strikingly similar to an Apple product.
The yacht is now owned by Jobs’ widow Laurene Powell Jobs.
(Photo credit: Beth Colt, photographer and owner of Woods Hole Inn, @woodsholeinn on Instagram)
Okay, I admit it. I was captivated by the John Lewis Christmas commercial and wondered, “How’d they do that?!”
Creativity went behind the scenes to find out. I’m glad they did.
Love it or hate it, John Lewis’s Monty the Penguin holiday ad is an unstoppable seasonal juggernaut, with YouTube views now exceeding 17 million. One of the reasons for the appeal of the U.K. retailer’s ad is its realistic depiction of an Adelie penguin, created completely in CGI.
In this fascinating behind-the-scenes film from VFX house MPC, you can find out exactly how Monty was dreamed up, created and rendered. It’s full of interesting nuggets — for instance, Monty picks up the Lego bricks the way that real penguins pick up fish — as well as providing an insight into the film’s production, casting and more.
When it comes to holiday TV ads, very few here in America have the emotional ring to them compared to those in the U.K. Creativity magazine highlighted one such holiday ad and I thought it was appropriate to share on this blog.
According to Creativity, retailer John Lewis’ Christmas commercial — the most anticipated ad of the year in the U.K. calendar — is here, and you’d have to be a real Scrooge not to like it. It has all the elements of a winner: a wonderful child actor, a cute animal (the kid’s pet Adelie penguin, brought to life in amazing CGI by MPC) and a heartwarming twist. It’s the music, though — a cover of John Lennon’s “Real Love” sung by John Odell — that gives it that extra touch that might make you keep the Kleenex close.
Like the department store chain’s previous much-lauded efforts “The Long Wait” and “The Snowman,” the ad, by Adam & Eve/DDB, was directed by Dougal Wilson.
John Lewis is also launching an in-store experience featuring Monty, the penguin from the ad, in partnership with Samsung. Kids will be able to see their own favorite toys animated in 3D using Microsoft scanning technology in “Monty’s Magical Toy Machine” and interact with the characters from the ad in a virtual world with “Monty’s Goggles,” using Google Cardboard, an experience created by Stinkdigital. They’ll also able to create their own Monty Christmas card, and of course there will be Monty-inspired merchandise.
Matthew Diffee, whose cartoons you may have seen in The New Yorker and Texas Monthly, recently offered his views on idea generation and the creative process. He was in Houston presenting to the American Advertising Federation.
Matthew, not unlike a lot of us in a creative industry, has a quirky sense of humor and sees things (or at least thinks about them) from a different perspective. This helps in generating ideas.
One of the first things he believes in is to make it easy to “do ideas.” If you’re a coffee drinker, make sure you’ve got a fresh pot to start things off.
Second, or at least this is what I jotted down as second, is a list of five verbs that he uses when he reviews his ideas: Add, Subtract, Switch, Invert, Mash up. These may lead to some sort of visual and/or a caption for the visual. The interplay between words and pictures can be fun!
An example he gave of taking a traditional question oft times used in job interviews, “Where do you see yourself in five years?,” and, instead, coming up with “Where do you see yourself in ten minutes?”. Try that in your next interview.
The best thing one can do is to maintain momentum – keep going in your process. I’ve learned from experience that stopping and starting does no good. You really have to get into some sort of flow.
Another one of his takes on a traditional phrase goes like this: “A penny saved is a penny who has accepted Jesus Christ as its Lord and Savior.” I know, I know, not everyone will find this humorous. I guess it depends on one’s sense of humor. 😉
Other elements and observations from of his creative process:
The Zone – easy to start, hard to stop. We’ve all found our “zone” before. Once you’re in it, don’t let up until you’ve got what you set out to get.
Flip Funnel – large end to finely tuned. Seeing an idea in a broad sense and developing it to a specific angle or perspective. Going from concept to a single cartoon cell in Matthew’s case.
Generating Ideas – quantity over quality. You can sort through these later. You need ideas and lots of them. Never critique when generating ideas.
Can’t make a great idea just by working harder – inspiration hits like a turd. Though somewhat crudely put, his thought is true. We can’t plan to have a great idea by a certain time. It’s not like we have an On/Off switch. We may take five minutes or two days.
Dull Bulbs – assume your work could be better. Don’t let your ego get in the way. No matter how wonderful we may think our idea is, there’s something about it that can be improved.
So whether you’re a budding cartoonist, experienced writer or designer or someone who needs to come up with a bunch of ideas for the next mode of transport to Mars and beyond, some of these techniques may help.
And when you review what’s been discarded at week’s end, don’t throw them away. Who knows what other uses may be made of them.
What has Matthew done with all his ideas which have been rejected? He’s made them into a book, an archive of sorts, entitled “The Cream of the Crap.”
The advertising community in Houston recently lost a good friend. Rich Klein passed away Sunday, October 12, 2014. This blog is a big believer in creativity and nurturing that in students and young professionals (and pros from all age groups for that matter). Rich was a valiant supporter of young people’s dreams and aspirations, and encouraged many to enlist in the advertising profession.
Jay Hagins, a longtime friend as well as a believer and supporter of creativity, had this to say about Rich:
Rich’s passion for the advertising industry was unparalleled; he mentored literally thousands of advertising professionals and with his partner, Bill Fogarty, built an advertising agency that attracted clients from coast to coast bringing national attention to the Houston advertising industry. Rich and Bill won national and regional clients such as Chef Boyardee, Ranch Style Beans, Waste Management, Advance Auto Parts, Popeye’s, Builders Square, Mattress Firm, BFI, Randall’s Supermarkets, Shiner Beer, Mission Foods, Amegy Bank, ConocoPhillips and many others. Rich and Bill nurtured the industry’s future with a highly competitive internship program with teams of college students that would actually get to present their own strategies, plans and creative to real clients.
Rich was recognized as a Southwest Advertising Hall of Fame member, AAF-Houston Silver Medal award winner and Living Legend. Rich and Bill began giving scholarships to qualified college students in 1991 and later established the Rich Klein and Bill Fogarty Communications Scholarship within the Advertising Education Foundation of Houston where Rich became Chairman leading the foundation to unprecedented growth. This year Rich and the Foundation awarded $30,000 in advertising scholarships to students throughout the Southwest.
From the unlikely pairing of a seasoned packaged goods brand manager and an ex-journalist-turned advertising maven it has been a long voyage from the day Rich Klein had to break it to Bill Fogarty’s wife that the pair was leaving their jobs to start a business with no business in hand. Lucky for advertising in the Southwest, Rich Klein and Bill Fogarty stayed true to their vision and made it happen, creating the best, darn agency in Houston, one with a rich legacy of innovation and accomplishment, integral community work, and programs to inspire future ad folks like themselves.
Rich will be truly missed but to further his legacy and to honor Rich’s passion to further the education of young people, the family is requesting that in lieu of flowers, donations be made to:
The Rich Klein Communications Scholarship
AEFH
P.O. Box 27592
Houston, Texas 77227
I would encourage all who may read this to consider donating to this very worthy scholarship.
Thanks for reading and your interest. Thank you, Rich, for your advice, friendship and guidance over the years. We’ll miss you!
Those of you in and around Houston are in for a treat. Register now for this Wednesday’s American Advertising Federation Houston’s Speaker’s Series Luncheon. It features cartoonist Mathew Diffee, frequent contributor to The New Yorker and Texas Monthly.
As you may have noticed, I haven’t been here in some time. I’ve been rather preoccupied. While I’ll still contribute some creativity tidbits and other pertinent info on this blog, I wanted you to know I’ve begun a different one.
Joe’s Journey is the beginning of a series of thoughts and observations of my life as it is now, and my fight with Leukemia (CLL). Ever-mindful of branding, I wanted to keep the two blogs separate. And, as a writer, I have a thing for “Papa.”
I’d like to know what you think. Don’t be bashful. I’m not! 🙂
Last month I posted a blog on creativity and fear. Interestingly, two days following my posting Seth Godin posted this:
“How do I get rid of the fear?”
Alas, this is the wrong question.
The only way to get rid of the fear is to stop doing things that might not work, to stop putting yourself out there, to stop doing work that matters.
No, the right question is, “How do I dance with the fear?”
Fear is not the enemy. Paralysis is the enemy.
* * * * * * * *
I’m a follower of Seth’s and subscribe to is blog (linked above). There are times, however, when I wish he’d get into more detail or provide more insight about his points. This is one of those times.
In his brief post referenced above, he’s right. Paralysis is our enemy. We can do nothing when it envelopes us. We have to meet it head on and that can be scary. How do we do that? Well . . .
My earlier posting of “13 ways to deal with fear” also touches on the paralysis factor. We need to do something to jar ourselves out of this newly immobilized state.
When Seth states that paralysis is the enemy, how would one deal with one’s enemy. You can’t ignore him (the enemy), but you could go in another direction to get around him. You’ve faced him before and you’ll face him again. How each of us reacts depends on us. There is no one solution or antidote.
What do you think? How have you dealt with paralysis?