Quotes on Advertising & Creativity

Greetings and good day to ‘ya! Here’s your respite into the world of famous and sometimes infamous quotes from a variety of personalities. Any one of these could prove motivation for that ad you’re working on, tweak your imagination, inspire you or just plain bring a smile to your face.

Feel free to share.

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Nobody has ever built a brand by imitating somebody else’s advertising.
David Ogilvy, member, Advertising Hall of Fame

In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials. Phil Dusenberry, member, Advertising Hall of Fame

Our job is to simplify, to tear away the unrelated, to pluck out the weeds that are smothering the product message. William Bernbach, member, Advertising Hall of Fame

You can’t use up creativity. The more you use, the more you have.       Maya Angelou

The heart of creativity is discipline. William Bernbach, member, Advertising Hall of Fame

If you are writing about baloney, don’t try to make it Cornish hen because that is the worst kind of baloney there is. Just make it darned good baloney. Leo Burnett, member, Advertising Hall of Fame

Fun without sell gets nowhere, but sell without fun tends to become obnoxious. Leo Burnett, member, Advertising Hall of Fame

Yes, I sell people things they don’t need. I can’t, however, sell them something they don’t want. Even with advertising. Even if I were of a mind to. John E. O’Toole, member, Advertising Hall of Fame

Big ideas are so hard to recognize, so fragile, so easy to kill. Don’t forget that, all of you who don’t have them. John Elliott, Jr., member, Advertising Hall of Famered-quotation-marks-vector-online-royalty-free-picture-435958

There is no material with which human beings work which has so much potential energy as words. Ernest Elmo Calkins, member, Advertising Hall of Fame

 

 

Now, paraphrasing Seth Godin, Go Raise A Ruckus!

Boosting Your Creativity – Just Like Einstein – Even in Crisis Times! Part 2.

4 Ways Combinatory Play Gets You Out of a Brain Rut, Plus Helps One Deal with a Crisis.

Now that you see how the human brain can get stuck in a rut thanks to neural pathways and a fondness for the familiar, how can you free your brain and lead it on a path to innovation? Based on research and real-life examples from great minds, here are four ways Combinatory Play can to get you out of a brain rut:

1. Cross Train Your Brain

Each cross-training activity works a different, but complementary, part of the body that will help get you stronger in the overall event, task or project. In other words, if you’re a novelist, try your hand at poetry. If you’re a painter, dabble in sculpting. If you’re a computer scientist, play around with web design.

For instance, how did playing violin help Einstein theorize about matter and energy? A study from UC Irvine and the University of Wisconsin found that giving piano lessons to preschoolers significantly improved their spatial-temporal reasoning— a key skill needed for math and science—much more than giving computer lessons, singing lessons, or no lessons at all.

So try a new activity within your field or related to it; you’ll expand your neural connections and strengthen your brain overall.

2. Take a Shower, Go for a Walk or Do Some Other Mundane Activity

First, creativity and relaxation could be linked. I’ve found that whenever I’m really tired, my creativity just hits a wall. Trying to go on is fruitless. Wrap it up and go to bed or walk away from whatever it is you’re working on and come back to it in several hours or the next day.

Depending on when you’re doing this, try something boring, like showering or taking a walk (though some folks would argue that this exercise is not boring) or go for a swim. These tasks don’t require substantial cognitive effort, so our brains are free to wander. And contrary to popular belief, a brain “at rest” isn’t really resting at all.

ZZZ's

Some researchers believe there is a positive correlation between our daydreaming state (occurring in a brain region that becomes more active at rest) and creativity. Mind-wandering may allow the conscious to give way to the subconscious, so the brain can connect disparate ideas.

Second, distractions may boost creativity. Research by Harvard professor Shelley Carson found that high creative achievement was associated with low latent inhibition, or the capacity to screen out irrelevant information, especially if the participants had a high IQ.

For the creative mind, inspiration can be found everywhere. Sometimes, you just need to distract yourself long enough to notice it.

3. Sleep On It

Regarding the process of discovery, scientists have proposed that there is an incubation period during which “unconscious processes contribute to creative thinking.” In his memoir, A Moveable Feast, Ernest Hemingway reveals how he safeguarded his creativity through such a process:

Ernest_Hemingway_in_London_at_Dorchester_Hotel_

“I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything…”

And in a later chapter:

“I had learned already never to empty the well of my writing; but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.”

In 2009, a study out of the University of California San Diego was published suggesting that sleep may assist combinatorial creativity. In particular, researchers found that study participants who were allowed to slip into Rapid Eye Movement sleep (REM)—the stage during which we dream—showed an almost 40% improvement over their earlier creative problem-solving test performances, while those who had only non-REM sleep or quiet rest showed no improvement.

The authors of that study hypothesized that when we’re in REM, our brains are better able to integrate unassociated information, which is essential to creative thinking (it explains why dreams are so bizarre).

As mentioned earlier, when you’re stuck on a problem or the creative juices stop flowing, try going to bed. You’ll have a refreshed and different perspective the next morning.

4. Feed Your (copy) Cat

Is anything truly original? Uh, doubtful. In fact, according to artist Austin Kleon, the answer is no. Kleon presented a TED Talk “Steal Like an Artist” and a book of the same name, in which he asserts that nothing is original and all artists build upon previous work.

With this in mind, don’t plagiarize someone, but get inspired by and improve upon someone else’s creations. In this Age of the Internet, one can’t help “borrow” from someone else’s idea. That’s in part why I’m both sharing this article from Amy Rigby and the Trello blog but also adding some of my own perspective.

Suggestions:

  • If you’re suffering from writer’s block, buy a pack of those word magnets and rearrange them until you come up with creative phrases on your fridge;
  • As previously mentioned, break your concentration, especially when it’s hard for you to focus, and go for a walk or go to bed (depending on the time, of course);
  • If you’re not sure how to move forward on a project, bounce ideas off of your teammates and see if you find any hidden gems in their suggestions;
  • If you’re building a product and stuck in the design phase, search for competitors who have made similar products, find where their customers are unhappy, and design something new that solves the problems your competitors failed to address;
  • Step back from your computer or tablet or canvas or whatever tool you’re using and try and get a bigger or completely different picture of what you’re doing. Go wherever your mind wants to go. Although you may want to continue working on a particular piece of creative, your mind may not. Try doing what it wants. You’ll end up with a different perspective, and, maybe even a new project or topic.
  • During crisis times, our emotions seem to be at their peak. Don’t let them get the best of you, but learn from them. You’re already jacked so let your new-found motivation help guide you to your (new) goals; what was important yesterday may not be as important today.

We all get stuck in a rut at times, even the greatest minds in history like Einstein did. If you need a new way of thinking, use Combinatory Play to give your brain a boost:

  • Participate in creative cross-training to expand your brain’s neural connections;
  • Let your mind wander by doing something mundane or even boring;
  • Go to bed and let your subconscious mind connect the dots during REM sleep;
  • Use another person’s work as a springboard for inspiration and improvement;
  • Go where your mind wants to go and gain a different perspective.
  • Emotions tend to peak during crisis times; learn from them.
Abstract design made of human head and symbolic elements on the subject of human mind, consciousness, imagination, science and creativity

“Diversity of the Mind” Thanks to iStock Photo


Thanks to Amy Rigby in

Boosting Your Creativity – Just Like Einstein – Even in Crisis Times! Part 1.

Even during times of crisis and major uncertainty, creativity is very useful. The outbreak gripping the world at present, the Corona Virus (covid-19), is causing all sorts of interruption globally. The pandemic is causing us to think like we’ve never thought before or at least in a very long time.

Creativity brings itself to the forefront once again. How we use it to solve some almost unthinkable problems is up to us. Fortunately, we have viable resources upon which to fall back.

In the continuing process of exploring the myriad aspects of creativity, I was intrigued by this article from the Trillo blog regarding how Albert Einstein used a certain kind of “play” to enhance his creative streaks. What’s appealing to me is that all of us can learn from this, whether or not we’re engaged in a global pandemic.

I dare say everyone wants to boost their creativity. Now especially. How about boosting it on a par with the likes of Einstein? Well, it has to do with what’s referred to as Combinatory Play.

What the heck is Combinatory Play?

“Combinatory play seems to be the essential feature in productive thought.”
– Albert Einstein

The term “combinatory play,” also known as combinatorial creativity, was perhaps first coined by Albert Einstein in a letter to French mathematician Jacques Hadamard. In an attempt to understand mathematicians’ mental processes, Hadamard asked Einstein about how he thought.

Einstein-final

Einstein’s letter reply, later published in Ideas and Opinions, explained that his thinking process transcended what could be communicated in the written or spoken word, but that there was “a certain connection between those elements and relevant logical concepts.”

Huh?

Well, Einstein was known to play violin whenever he was stuck on a tough problem and often spoke of how music influenced the way he thought about math and science. His sister, Maja, said that sometimes after playing piano, he’d get up and say, “There, now I’ve got it.”

Albert Einstein quote

Call it combinatory play, combinatorial creativity, or intuition—we’ve all experienced that flash of insight, that fleeting moment when a solution we’ve been grinding away at reveals itself in an unexpected place. Playing violin helped Einstein theorize about time and space. What might be your Combinatory Play?

“Creativity is just connecting things.” – Steve Jobs

Steve+Jobs

Stuck in Traffic on the Neural Pathway to Nowhere

Understanding why Combinatory Play boosts creativity, means we should look at how the brain works.

The brain’s building blocks are neurons: nerve cells that receive and transmit signals along neural pathways. In Harvard professor of psychiatry John Ratey’s A User’s Guide to the Brain, certain pathways are forged at birth, like the ones that control your breathing and heartbeat. Others can be manipulated by learning. So when you’re stuck in a rut, your brain’s neurons could literally be stuck on a neural pathway you’ve carved out through your behavior.

The good news is you can get your brain unstuck by choosing to make new connections—forge a new neural pathway. Ratey explains, “A person who forcibly changes his behavior can break the deadlock by requiring neurons to change connections to enact the new behavior.”

If you’re frustrated by mental processes that lead nowhere, it’s kind of like your brain is taking the same old route to work every day because that’s what you’ve trained it to do. But if the highway is congested and you’re sitting in traffic, it’s up to you to tell your brain that there’s a new route it should take to get to where you want to go.

Comfort In Familiarity

Your brain is continually striving for order and predictability, and as a result, can get pretty set in its ways. While reverting to familiar paths can keep you safe and comfortable, it can also hinder your creativity. Therefore, it’s important to quiet this part of the brain if you want to invent new solutions. Combinatory Play can help you do this by relaxing your mind.

The Brain’s Inclination for Seeking Patterns Encourages Innovation

As clinical psychologist Victoria Stevens explains: “Our pattern-seeking behavior is an essential part of creative thinking, although it can also produce false assumptions and biases when previous experiences lead us to beliefs we do not question. In addition, finding links, connections, and patterns between apparently dissimilar things is essential to creative thinking.”

Your pattern-seeking behavior can benefit you in creative thinking. Just remember to:

  • Question your assumptions
  • Try to find patterns where it seems like none exist

Combinatory Play allows you to zoom out, see the bigger picture, and spot the patterns. This is especially true at times like this. Think and act creatively and responsibly, not out of fear or panic but out of rational, logical thought. The calmer we are, the better.

Continued in Part 2 . . .


Thanks to Amy Rigby in

Special Friday the 13th Edition: Rod Serling – In His Own Words.

The Man. The Mind. The Mentor.

The Dad. The Television Star.

The Host. The Creator.

Mr. Twilight Zone himself.

Night of the Meek

Christmas is more than barging up and down department store aisles and pushing people out of the way. Christmas is another thing finer than that. Richer, finer, truer, and it should come with patience and love, charity, compassion.

Somewhere between apathy and anarchy lies the thinking human being.

Violence does not spring from a vacuum. It’s born out of other men’s violence. It gets nurtured and it grows in a soil of prejudice and of hate and of bigotry.

Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.

Serling-Judge him

A basic ‘must’ for every writer. A simple solitude– physical and mental.” ~ AS I KNEW HIM: My Dad Rod Serling

More than a man has died…More than a gallant young President has been put to death. What has been assassinated is a faith in ourselves. What has been murdered-a belief in our decency, our capacity to love, our sense of order and logic and civilized decorum.

Our greatest responsibility is not to be pencils of the past…

This is what I learned at Antioch-when something was wrong, I could get up on my own two feet and make comment on it… I think the idea of questioning is not only a right, it is a responsibility.

Serling-young

Remember that your salvation is in your capacity for human warmth–in that remarkable propensity for love.

I found that it was all right to have Martians saying things Democrats and Republicans could never say.

My dad said in a final interview, “I’d like to write something that my peers, my colleagues, my fellow writers would find a source of respect. I’d rather win a Writer’s Guild award than almost anything…

No moral, no message, no prophetic tract, just a simple statement of fact: for civilization to survive, the human race has to remain civilized. Tonight’s very small exercise in logic from the Twilight Zone.” –             The Shelter

Serling new pic

Rod left us way too soon. Not surprisingly, he is still today someone we look up to, someone we admire. From The Twilight Zone to the Night Gallery, he put his imagination on display for millions of fans.

As a writer myself, I’ve often wondered what kind of morbid, macabre mysteries would have come alive if Rod Serling and Edgar Allan Poe had lived in the same century. Deaths-Head Revisited, Murders in the Rue Morgue, The Monsters Are Due on Maple StreetAnnabel Lee, A Stop at Willoughby, The Fall of the House of Usher, Nightmare at 20,000 Feet and, of course, The Raven.

All that we see or seem is but a dream within a dream. Because this, you see, is the Twilight Zone. Quoth the raven, “Nevermore!”

Creativity in the Corporate Ivory Tower? Sheesh, surely you jest?!

This is not a whodunit, nor is it a Perry Mason murder mystery about the Case of the Kangaroo Court. What it is, however, is the Business Case for Creativity.

An excerpt from a review of the book itself reveals, “Debate in the advertising and marketing industries has raged for decades: does creativity make advertising more effective? Or is it just the folly of creative people looking to win their next award?

“The arguments of both advocates and cynics have until recently been based on conjecture and anecdotal evidence. James Hurman’s seminal creative effectiveness book The Case for Creativity brings the debate to a conclusion with three decades of international research into the link between creativity and business results.”

Tom Roach, BBH’s (Bartle-Bogle-Hegarty) effectiveness head, was asked by Thinkbox to present the business case for creativity at their spring event. Inspired by Thinkbox’s own  innovative slide desk, the presentation he gave brought together the best evidence for the value of creativity in marketing communications. Here are excerpts from that presentation along with my own take on the case for creativity.

Case for creaivity

Simply stated, without creativity one has nothing. The beautifully executed creative plan of an advertising campaign can not be overshadowed by something comprised of “just the facts.” The campaign must have charisma, its own personality, to be believable. However, being believable doesn’t necessarily mean playing it safe or conservative.

Take this attitude from Keith Wood of Unilever in his Forward of the book:

Forward-Case for Creativity

That may be the case but the industry still has a ways to go and many more folks need to know. While this may be true, can we say there is a crisis in creativity? If so, how so and what is it?

First, let’s take a step or two back and ask: “What do we mean by creative?”

Well, there’s this . . .

Novel . . .

And this . . .

Good ideas . . .

And this somewhat in-your-face guideline . . .

Make it different . . .

Okay, all good and fruitful definitions and clarifications of what creativity is or entails. As with several key issues in the business world, creativity is complicated, especially when the problem is multifaceted and everyone on the marketing committee has a different viewpoint.

But, is there a crisis in creativity? Well, let’s see.

Trends Wrkg Against

Campaign effectiveness has fallen (UL), Budgets have been falling (UR), Short-termination has been rising (LL), Long-term cases have lost efficiency (LR)

Ad Blocking

Hmmmmm, looking kinda murky, isn’t it? Let’s consider this :

Rising Sea

 

Smart Phones

Autos

Ah, yes, nothing like differentiation in car ads!

 

Case for creaivity

 

Creative Companies

S&P 500

Disruption

Creative Execution

Emotional

Ad Slogans

While the above slides are true, I vote for more thoughtfulness and less cutesyness. In some advertising, the ad could have the audio muted (saying what the ad is about) with just the video or image shown, and most folks wouldn’t be able to tell what product is being promoted. Let’s face it, cars and cologne can be interchangeable. And, I guess, trucks are destined to be driven only in the “out-in-the-middle-of-nowhere” scenarios.

Creativity Brings

I’d like to add at least one more: Intangibles. Sometimes you just don’t know what makes a good ad good. It just works.

 

Our Objective

I definitely agree with this last poster. Effectiveness is key to creative execution. Smart creativity is a must. Play to one’s audience still applies but do so without insulting their intelligence. I’ll go out on a limb and say that, generally speaking, a twenty-something copywriter has little to no understanding of how best to relate to the “senior plus” set, unless he can relate to his grandparents.

Case for Creativity Book

If you want to view a more in-depth portrayal of this presentation, see the Business Case for Creativity. It’s not your ordinary slide deck. Neither is the book on which the presentation is based.

Map Locations of Creative Class Growth Meet Up with “Rise of the Rest.” (Part 2)

Let’s face it: Economic growth is boring, though important. The better it is, the more resilient a community becomes. Out of this comes the culture and cultivation of the Creative Class. Houston may be the 4th largest city in the country but its creative class designation is, while on the upswing, crawling.

In this Part 2 blog post, I share some of the findings of Richard Florida, author of The Rise of the Creative Class, and his colleagues. Houston, despite all its size and culture, remains a lukewarm bed of creativity, especially when compared to New York, LA, and even Chicago. Most of that is due to the client base in Houston; much more B2B than B2C. More oil-n-gas than cornflakes; more energy than autos.

Based on Florida’s research and his colleagues’ input, they found that one of the most troubling trends of the past decade is the deepening geographic inequality across the U.S., especially through the clustering of particular types of talent in coastal cities like San Francisco and New York.

But a growing chorus of economists and urbanists suggest that we may be seeing the “rise of the rest,” a result of both increasingly unaffordable housing in established hubs and the improvement of the economies in less-established hubs.

While startups and tech employment remain highly clustered, recent reports suggest that some Rustbelt and Sunbelt metros are increasing their ability to attract college graduates.

Cincinnati Riverside

Cincinnati saw nearly 20 percent growth in its share of the creative class from 2005 to 2017. Aaron Bernstein/Reuters

Investigating what is actually happening to the geography of talent, Florida concentrated on changes in the location of the creative class for a period immediately before, during, and post-recession. While most studies equate talent with the share of adults who hold college degrees, his creative class metric is based on occupation.

About nine in 10 Americans with a college degree are members of the creative class, which is made up of knowledge workers in education, healthcare, law, arts, tech, science, and business. But, only six in 10 members of the creative class hold a college degree.

CreativeClass 2005

In 2005, the top ten list read like a veritable who’s who of the nation’s leading knowledge and tech hubs, led by Washington D.C., San Jose, and San Francisco. But Baltimore (with a large cluster of medical and scientific research centers around Johns Hopkins University) and Minneapolis-St. Paul also make the top-10 list, besting bigger metros like New York and Los Angeles.

In 2017, the creative class makes up more than half the workforce in the leading metros, and there are substantial changes in the rankings. San Jose tops the list, followed by D.C. and San Francisco, and now Denver and Philadelphia have joined the top ten.

CreativeClass2017

The map below shows the percentage growth in the creative class from 2005 to 2017. A number of Rustbelt and Sunbelt metros which have previously lagged now show robust growth. Salt Lake City posted the fastest growth, with Pittsburgh and Cincinnati next in line. Las Vegas, which had the smallest creative class share of large metros in 2005, also saw significant growth.

Of leading creative class metros, only Seattle and Baltimore registered comparable gains. On the flip side, superstar hubs New York, Los Angeles, and Washington, D.C., all ranked among the ten metros with the slowest creative class growth.

CreativeClassGrowth

The even better news is that the creative class—which often garners the highest paying jobs—appears to be growing as a percentage of total workforce employment across the board.

This next chart shows Houston coming in at 32nd out of 53 metro areas, between St. Louis and Pittsburgh for the 2005-2017 time span. Houston’s Creative Class growth rate approximates 37% over the 12-year span.

Growth:Change 2005:2017

According to Florida and his research associates, the creative class has seen remarkable growth over this time frame, increasing from 44 million members in 2005 to more than 56 million in 2017, as virtually all large U.S. metros saw growth. The rate of creative class growth (27.2 percent) was more than double the growth rate of overall U.S. workforce (13.6 percent) over this period.

Florida believes we may well be seeing the beginnings of a tipping point in the geography of talent as housing prices continue to rise in superstar cities, while metros in once talent-lagging parts of the country capitalize on the significant cost advantages and quality of life they have to offer.

Houston Skyline Glow

Houston Skyline Sunrise Glow Panorama – Color Texas Canvas Print is a photograph by Bee Creek Photography – Tod and Cynthia.

In Houston, as in other comparably sized metro areas, technology and shared work spaces are in the forefront of change and innovation. The medical community, at least in Houston, is striving as never before to consistently research and provide for better and faster disease fighters. Economic and infrastructure expansion in the Texas Medical Center continues to roll along. This progress goes hand-n-hand with expansion of the Creative Class.

But we can’t let up. Just as important as innovative medicine development is, so, too, is the expansion and underwriting of the arts, culture and creativity in its purest form.

 

So, let me know your thoughts, questions or comments. I’d really like to hear from you.

 

Richard Florida is a co-founder and editor at large of CityLab and a senior editor at The Atlantic. He is a university professor in the University of Toronto’s School of Cities and Rotman School of Management.

Meow Wolf’s Art World Raises Millions Highlighting Creative Economy’s Potential. Houston, take note! (Part 1)

Meow who? Wolf, Meow Wolf. Based in Santa Fe, New Mexico, Meow Wolf is an arts and entertainment group that is attracting audiences of all ages in its immersive art world.

Meow Wolf is comprised of over 400 employees creating and supporting art across a variety of media, including architecture, sculpture, painting, photography, video production, cross-reality (AR/VR/MR), music, audio engineering, narrative writing, costuming, performance, and more!

Meow Wolf creates immersive and interactive experiences that transport audiences of all ages into fantastic realms of story and exploration. This includes art installations, video and music production, and extended reality content.

 

Their first permanent installation, the THEA Award-winning House of Eternal Return, (HOER) launched in March 2016 with support from Game of Thrones creator, George R.R. Martin. Inside, guests discover a multidimensional mystery house with secret passages, portals to magical worlds, and an expansive narrative amidst surreal, maximalist, and mesmerizing art exhibits. Located in Santa Fe, HOER features a children’s learning center, a cafe and bar, and a music venue.

ImpactAlpha called this choose-your-own adventure, art installation, “one of the most successful examples of the creative economy.”

Meow Wolf champions otherness, weirdness, challenging norms, radical inclusion, and the power of creativity to change the world. Houston, are you listening?

Meow Wolf House of Eternal Return

Legally registered as a public benefit corporation and certified as a Benefit Corporation, or B Corp, Meow Wolf values investing in their creative team, giving back to their community, and doing their part to better the environment.

Through ticket, gift shop, food and beverage sales, and events, Meow Wolf is pulling in more than $1 million a month in revenues. George R. Martin, author of the novels adapted for HBO’s Game of Thrones series, is Meow Wolf’s landlord in Santa Fe. He’s also an investor and creative advisor to the firm.

This company, according to ImpactAlpha, emphasizes the potential of the creative economy. “This does not mean impact capital is not flowing to the creative economy—it is just not doing so on purpose,” Laura Callanan of Upstart CoLab told ImpactAlpha.

Meow Wolf firmly believes that accomplished artists must be compensated on an equal level with other skilled, in-demand professionals. Successful businesses must give back to — and participate energetically in — their communities.

Wolf provides financial assistance, expertise, and other forms of active support, and is excited to support innovative, community-focused art and social projects.

Meow Wolf’s path echoes what last year, in the Stanford Social Innovation Review, Callanan wrote: “When creative people pursue businesses that have a social purpose, they can have a catalytic impact on job creation, the economy, and social well-being.”

Asset 1

Meow Wolf’s jaw-dropping 10 year journey of an anarchic art collective has grown into a multi-million dollar business. According to their web site, Wolf grew from having no access to blowing a new, profitable portal into the art world.

This tumultuous journey has yielded new ways of participating in culture and entertainment for not only these artists, but for the people from all walks of life who engage in and are inspired by their work. With a mission to provide access to and inspire creativity in everyone, Meow Wolf continues to experience growing pains, while continuing to reach for new impossibles.

Does Houston have anything like this? While Houston is considerably larger than Santa Fe, the expansive geography lends itself to challenges for cultivating a strong and viable creative economy. Sure there are the museums, NASA, Space Center Houston as well as several start-ups in and around the Texas Medical Center serving as a harbinger of creativity and innovation.

Houston logo

But is that enough? One might argue that it is not.

Houston doesn’t seem to have a “meow wolf” instigator-like venue or organization to stimulate its own creative economy. Not that the city hasn’t tried. The Houston Arts Alliance, Greater Houston Partnership, Only in Houston/OiH Creatives, American Advertising Federation Houston are but a few of select organizations who have tried, and are still doing so, to pull together what it takes to stimulate the region’s creative economy.

As Meow Wolf would tell anyone or any city, this takes continuous effort and a belief that what one is doing is worth it for everyone. That remains a challenge for Houston, and one it must overcome.