How would a “productive day” compare to a “creative day”? What would, if anything, they have in common? Chances are not much. One might think a productive day would be closely aligned with scratching off items on a to-do list. On the other hand, someone’s idea of a creative day might not even have a to-do list.
Our current work world is obsessed with productivity. We are inundated with books, articles, white papers, to time block this and time block that; all just to do more work. But our relentless quest to be productive is undermining one of the most important abilities in today’s workplace: creativity. What of the future, though? Will machine learning and artificial intelligence perform the routine aspects of our work at the expense of our ingenuity and creativity?
So how do we create the right conditions for creativity, particularly when we are trying to deal with a to-do list?
Consider this comment from screenwriter Aaron Sorkin (the mastermind behind the television show West Wing and films like Moneyball and The Social Network). He told The Hollywood Reporter that he takes six showers a day. “I’m not a germaphobe,” he explains but when his writing isn’t going well, he’ll shower, change into new clothes, and start again. Sorkin’s trade relies on him minting something fresh on a regular basis. And it occurred to him that his best thoughts were not happening in moments of fevered concentration, but when he was in the shower. So he had a shower installed in the corner of his office and makes regular use of it. He has described the process as “a do-over” for triggering original ideas.
In 1939, James Webb Young, a Madison Avenue advertising executive, wrote a definitive guide to the process of creativity, A Technique for Producing Ideas. In this short book, Webb Young reminds us, “that an idea is nothing more nor less than a new combination of old elements.” In his view, the skill of creativity is the ability to spot new connections between familiar thoughts, and the art is “the ability to see [new] relationships.”
Fifty years later, Steve Jobs observed something similar: “Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.”
Webb Young also lays out a remarkably simple technique for creative thought. It involves stimulation. Continue reading →
In this second of three part series by Ellyn Kail, they speak of various tools to utilize for staying creative, especially when stressed. Letting your creative juices flow during times like these does reduce anxiety and can give you a sense of accomplishment. Creativity is a happy, constructive tool that, when applied, can take you to a place normally abandoned during a crisis.
I speak from personal experience. Take my two blogs, for instance. I’m still trying to write them every week and during this Coronavirus outbreak, it’s like a medicine for me. It’s also important to me to provide my take and share with others that information pertinent to this crisis. Speaking of which, here’s part 2.
Creativity doesn’t just improve our wellbeing; it can also reduce our stress levels. Recent studies tell us that creative tasks can unlock our imaginations, distract us from our feelings of stress and anxiety, and even prompt our brains to secrete feel-good chemicals.
That’s something we could all use right now. Still, it can be challenging to find that creative spark when we’re experiencing anxiety and stress. Amid the worldwide coronavirus pandemic, finding space for creative exploration and experimentation can feel overwhelming.
In the first part of our interview with the photographer and professional development coach Danny Ghitis, we asked him to share some tools for coping during this difficult period. This time, we wanted to pick his brain and get some of his best tips staying creative and motivated.
You might be stuck indoors, but there are still ways to engage your brain and get the ideas flowing. Read on for his advice.
Habits and routines can be especially important when we’re facing uncertainty and upheaval. What are your favorite creative habits?
“I don’t believe in a prescribed habit routine, and there are so many people out there modeling specific approaches. The important thing is to figure out what works for you through trial and error.
“People have a lot of ‘shoulds,’ like ‘I should get up at 6:00 AM and meditate’ or ‘I should chunk my day into rigid blocks.’ Hey, if that works for you then, totally go for it. But there’s a ton of anxiety around being someone other than yourself, and habits are much less likely to stick if they’re not intrinsically motivated.
“Give yourself a break! Take the time to reflect on what does make sense for you, given the circumstances. Ask yourself more proactive questions. What habits will support your goals at this point? What trusted person can help you be accountable for building that habit?”
Do you think stress can ever be channeled creatively?
“It depends on how you define creativity and stress. There’s a broad range of experience there. There’s a difference between the inspired creativity of discovering a new project idea and the focused creativity of cranking out five pitch emails on deadline.
“If creativity is about innovative ideas and broad perspectives, then anxiety and stress are not the best. When your body is in a stressed state, your thinking narrows and focuses on the perceived threat. So, if your goal is to think expansively, you should focus on calming your stress response and getting into a broader state of mind. It’s why people have epiphanies in the shower.
“On the other hand, if you define creativity as, say, a detail-oriented craft, then you can leverage stress in your favor by color-correcting images in Photoshop or keywording your image archive, etc.”
Do you have any skills for calming that “stress response” and getting back to thinking expansively?
“Your body’s ‘rest and digest’ mode takes much longer to activate than your ‘fight-flight-freeze’ mode. Stress is meant to keep you safe, but chronic stress defeats the purpose and can seriously hurt your immune system.
“To regulate this, get into the habit of conscious breathing as often as possible. Your breath gives you a direct line to your autonomic nervous system, which is the otherwise unconscious way your body knows how to regulate itself.
“There’s a common misconception that taking a ‘deep breath’ will calm you down. In fact, it’s the out-breath that triggers a calming response. Try this: breathe in slowly for four counts, hold for two counts, breathe out slowly for six counts, hold for two counts. Repeat.
“Ultimately, managing stress is a huge topic, and there’s no one-size-fits-all technique. It’s important to understand what triggers your stress and address it using what works for you.”
What are some of your favorite (productive and creative) things photographers can do with the time they spend stuck indoors? Do you have any books or resources you’d recommend?
“This is a hard question for me to answer because I tend to look at an individual’s specific needs before discussing a course of action. It’s easy to get caught in a social comparison trap, wanting to succeed the way others do because it looks sexy.
“It’s normal to be influenced by other artists, but you have to show up for yourself, especially when it feels hard. This is a great moment to explore, research, plan, and reassess.
“To get your creative juices flowing, The Artist’s Way by Julia Cameron and The War of Art by Steven Pressfield are always solid staples. For more insight about how you best show up in the world, I suggest taking the VIA Institute’s free character strengths assessment and reading their materials.”
Some of us are using this time to recalibrate and refocus, whether that’s in business or the creative sphere. What are your insights on setting realistic goals, both in the long and short term?
“My favorite method of self-sabotage is perfectionism. I set the bar too high, making it impossible to succeed, and it’s a terrific excuse for getting nothing done. If you never get things done, you also avoid failure and create a false sense of comfort. You’re not failing, but you’re also not succeeding.
“This is super common in creative fields rife with rejection. Aim for scoring a B instead of an A with your projects. Set iteration goals without expecting a specific final outcome. You’ll actually increase your chances of achieving an outcome you’re happy with.”
Any more tips for photographers working from home right now?
“If you want to be shooting while you’re in quarantine, my suggestion is to be proactive about it. Keep your camera with you as often as possible and think of it like a sketchbook.
“Your thoughts and behaviors influence each other, so the more you take pictures, the more you’ll think about taking pictures and feel like someone who can take pictures in the moment.
“Because of cognitive bias, your brain filters what it thinks will be useful for you. If you keep ‘telling’ it to look for interesting compositions through repetition, the more you’ll automatically start finding them.
“This also applies to your mindset about business during these strange times. If you read panicky headlines all day, you’ll believe the sky is falling and hide under your bed, but if you look for opportunity, you will find it!”
This is part two of three of our interview with Danny Ghitis. Here’s Part one. For more in-depth and tailored coaching, Ghitis offers free 30-minute consultations.
Greetings and good day to ‘ya! Here’s your respite into the world of famous and sometimes infamous quotes from a variety of personalities. Any one of these could prove motivation for that ad you’re working on, tweak your imagination, inspire you or just plain bring a smile to your face.
Feel free to share.
Nobody has ever built a brand by imitating somebody else’s advertising.
David Ogilvy, member, Advertising Hall of Fame
In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials.Phil Dusenberry, member, Advertising Hall of Fame
Our job is to simplify, to tear away the unrelated, to pluck out the weeds that are smothering the product message. William Bernbach, member, Advertising Hall of Fame
You can’t use up creativity. The more you use, the more you have. Maya Angelou
The heart of creativity is discipline. William Bernbach, member, Advertising Hall of Fame
If you are writing about baloney, don’t try to make it Cornish hen because that is the worst kind of baloney there is. Just make it darned good baloney. Leo Burnett, member, Advertising Hall of Fame
Fun without sell gets nowhere, but sell without fun tends to become obnoxious. Leo Burnett, member, Advertising Hall of Fame
Yes, I sell people things they don’t need. I can’t, however, sell them something they don’t want. Even with advertising. Even if I were of a mind to. John E. O’Toole, member, Advertising Hall of Fame
Big ideas are so hard to recognize, so fragile, so easy to kill. Don’t forget that, all of you who don’t have them. John Elliott, Jr., member, Advertising Hall of Fame
There is no material with which human beings work which has so much potential energy as words. Ernest Elmo Calkins, member, Advertising Hall of Fame
4 Ways Combinatory Play Gets You Out of a Brain Rut, Plus Helps One Deal with a Crisis.
Now that you see how the human brain can get stuck in a rut thanks to neural pathways and a fondness for the familiar, how can you free your brain and lead it on a path to innovation? Based on research and real-life examples from great minds, here are four ways Combinatory Play can to get you out of a brain rut:
1. Cross Train Your Brain
Each cross-training activity works a different, but complementary, part of the body that will help get you stronger in the overall event, task or project. In other words, if you’re a novelist, try your hand at poetry. If you’re a painter, dabble in sculpting. If you’re a computer scientist, play around with web design.
For instance, how did playing violin help Einstein theorize about matter and energy? A study from UC Irvine and the University of Wisconsin found that giving piano lessons to preschoolers significantly improved their spatial-temporal reasoning— a key skill needed for math and science—much more than giving computer lessons, singing lessons, or no lessons at all.
So try a new activity within your field or related to it; you’ll expand your neural connections and strengthen your brain overall.
2. Take a Shower, Go for a Walk or Do Some Other Mundane Activity
First, creativity and relaxation could be linked. I’ve found that whenever I’m really tired, my creativity just hits a wall. Trying to go on is fruitless. Wrap it up and go to bed or walk away from whatever it is you’re working on and come back to it in several hours or the next day.
Depending on when you’re doing this, try something boring, like showering or taking a walk (though some folks would argue that this exercise is not boring) or go for a swim. These tasks don’t require substantial cognitive effort, so our brains are free to wander. And contrary to popular belief, a brain “at rest” isn’t really resting at all.
Second, distractions may boost creativity. Research by Harvard professor Shelley Carson found that high creative achievement was associated with low latent inhibition, or the capacity to screen out irrelevant information, especially if the participants had a high IQ.
For the creative mind, inspiration can be found everywhere. Sometimes, you just need to distract yourself long enough to notice it.
3. Sleep On It
Regarding the process of discovery, scientists have proposed that there is an incubation period during which “unconscious processes contribute to creative thinking.” In his memoir, A Moveable Feast, Ernest Hemingway reveals how he safeguarded his creativity through such a process:
“I learned not to think about anything that I was writing from the time I stopped writing until I started again the next day. That way my subconscious would be working on it and at the same time I would be listening to other people and noticing everything…”
And in a later chapter:
“I had learned already never to empty the well of my writing; but always to stop when there was still something there in the deep part of the well, and let it refill at night from the springs that fed it.”
In 2009, a study out of the University of California San Diego was published suggesting that sleep may assist combinatorial creativity. In particular, researchers found that study participants who were allowed to slip into Rapid Eye Movement sleep (REM)—the stage during which we dream—showed an almost 40% improvement over their earlier creative problem-solving test performances, while those who had only non-REM sleep or quiet rest showed no improvement.
The authors of that study hypothesized that when we’re in REM, our brains are better able to integrate unassociated information, which is essential to creative thinking (it explains why dreams are so bizarre).
As mentioned earlier, when you’re stuck on a problem or the creative juices stop flowing, try going to bed. You’ll have a refreshed and different perspective the next morning.
4. Feed Your (copy) Cat
Is anything truly original? Uh, doubtful. In fact, according to artist Austin Kleon, the answer is no. Kleon presented a TED Talk “Steal Like an Artist” and a book of the same name, in which he asserts that nothing is original and all artists build upon previous work.
With this in mind, don’t plagiarize someone, but get inspired by and improve upon someone else’s creations. In this Age of the Internet, one can’t help “borrow” from someone else’s idea. That’s in part why I’m both sharing this article from Amy Rigby and the Trello blog but also adding some of my own perspective.
If you’re suffering from writer’s block, buy a pack of those word magnets and rearrange them until you come up with creative phrases on your fridge;
As previously mentioned, break your concentration, especially when it’s hard for you to focus, and go for a walk or go to bed (depending on the time, of course);
If you’re not sure how to move forward on a project, bounce ideas off of your teammates and see if you find any hidden gems in their suggestions;
If you’re building a product and stuck in the design phase, search for competitors who have made similar products, find where their customers are unhappy, and design something new that solves the problems your competitors failed to address;
Step back from your computer or tablet or canvas or whatever tool you’re using and try and get a bigger or completely different picture of what you’re doing. Go wherever your mind wants to go. Although you may want to continue working on a particular piece of creative, your mind may not. Try doing what it wants. You’ll end up with a different perspective, and, maybe even a new project or topic.
During crisis times, our emotions seem to be at their peak. Don’t let them get the best of you, but learn from them. You’re already jacked so let your new-found motivation help guide you to your (new) goals; what was important yesterday may not be as important today.
We all get stuck in a rut at times, even the greatest minds in history like Einstein did. If you need a new way of thinking, use Combinatory Play to give your brain a boost:
Participate in creative cross-training to expand your brain’s neural connections;
Let your mind wander by doing something mundane or even boring;
Go to bed and let your subconscious mind connect the dots during REM sleep;
Use another person’s work as a springboard for inspiration and improvement;
Go where your mind wants to go and gain a different perspective.
Emotions tend to peak during crisis times; learn from them.
Even during times of crisis and major uncertainty, creativity is very useful. The outbreak gripping the world at present, the Corona Virus (covid-19), is causing all sorts of interruption globally. The pandemic is causing us to think like we’ve never thought before or at least in a very long time.
Creativity brings itself to the forefront once again. How we use it to solve some almost unthinkable problems is up to us. Fortunately, we have viable resources upon which to fall back.
In the continuing process of exploring the myriad aspects of creativity, I was intrigued by this article from the Trillo blog regarding how Albert Einstein used a certain kind of “play” to enhance his creative streaks. What’s appealing to me is that all of us can learn from this, whether or not we’re engaged in a global pandemic.
I dare say everyone wants to boost their creativity. Now especially. How about boosting it on a par with the likes of Einstein? Well, it has to do with what’s referred to as Combinatory Play.
What the heck is Combinatory Play?
“Combinatory play seems to be the essential feature in productive thought.”
– Albert Einstein
The term “combinatory play,” also known as combinatorial creativity, was perhaps first coined by Albert Einstein in a letter to French mathematician Jacques Hadamard. In an attempt to understand mathematicians’ mental processes, Hadamard asked Einstein about how he thought.
Einstein’s letter reply, later published in Ideas and Opinions, explained that his thinking process transcended what could be communicated in the written or spoken word, but that there was “a certain connection between those elements and relevant logical concepts.”
Well, Einstein was known to play violin whenever he was stuck on a tough problem and often spoke of how music influenced the way he thought about math and science. His sister, Maja, said that sometimes after playing piano, he’d get up and say, “There, now I’ve got it.”
Call it combinatory play, combinatorial creativity, or intuition—we’ve all experienced that flash of insight, that fleeting moment when a solution we’ve been grinding away at reveals itself in an unexpected place. Playing violin helped Einstein theorize about time and space. What might be your Combinatory Play?
“Creativity is just connecting things.” – Steve Jobs
Stuck in Traffic on the Neural Pathway to Nowhere
Understanding why Combinatory Play boosts creativity, means we should look at how the brain works.
The brain’s building blocks are neurons: nerve cells that receive and transmit signals along neural pathways. In Harvard professor of psychiatry John Ratey’s A User’s Guide to the Brain, certain pathways are forged at birth, like the ones that control your breathing and heartbeat. Others can be manipulated by learning. So when you’re stuck in a rut, your brain’s neurons could literally be stuck on a neural pathway you’ve carved out through your behavior.
The good news is you can get your brain unstuck by choosing to make new connections—forge a new neural pathway. Ratey explains, “A person who forcibly changes his behavior can break the deadlock by requiring neurons to change connections to enact the new behavior.”
If you’re frustrated by mental processes that lead nowhere, it’s kind of like your brain is taking the same old route to work every day because that’s what you’ve trained it to do. But if the highway is congested and you’re sitting in traffic, it’s up to you to tell your brain that there’s a new route it should take to get to where you want to go.
Comfort In Familiarity
Your brain is continually striving for order and predictability, and as a result, can get pretty set in its ways. While reverting to familiar paths can keep you safe and comfortable, it can also hinder your creativity. Therefore, it’s important to quiet this part of the brain if you want to invent new solutions. Combinatory Play can help you do this by relaxing your mind.
The Brain’s Inclination for Seeking Patterns Encourages Innovation
As clinical psychologist Victoria Stevens explains: “Our pattern-seeking behavior is an essential part of creative thinking, although it can also produce false assumptions and biases when previous experiences lead us to beliefs we do not question. In addition, finding links, connections, and patterns between apparently dissimilar things is essential to creative thinking.”
Your pattern-seeking behavior can benefit you in creative thinking. Just remember to:
Question your assumptions
Try to find patterns where it seems like none exist
Combinatory Play allows you to zoom out, see the bigger picture, and spot the patterns. This is especially true at times like this. Think and act creatively and responsibly, not out of fear or panic but out of rational, logical thought. The calmer we are, the better.
“Christmas is more than barging up and down department store aisles and pushing people out of the way. Christmas is another thing finer than that. Richer, finer, truer, and it should come with patience and love, charity, compassion.”
“Somewhere between apathy and anarchy lies the thinking human being.”
“Violence does not spring from a vacuum. It’s born out of other men’s violence. It gets nurtured and it grows in a soil of prejudice and of hate and of bigotry.”
“Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.”
“A basic ‘must’ for every writer. A simple solitude– physical and mental.” ~ AS I KNEW HIM: My Dad Rod Serling
“More than a man has died…More than a gallant young President has been put to death. What has been assassinated is a faith in ourselves. What has been murdered-a belief in our decency, our capacity to love, our sense of order and logic and civilized decorum.”
“Our greatest responsibility is not to be pencils of the past…”
“This is what I learned at Antioch-when something was wrong, I could get up on my own two feet and make comment on it… I think the idea of questioning is not only a right, it is a responsibility.”
“Remember that your salvation is in your capacity for human warmth–in that remarkable propensity for love.”
“I found that it was all right to have Martians saying things Democrats and Republicans could never say.”
My dad said in a final interview, “I’d like to write something that my peers, my colleagues, my fellow writers would find a source of respect. I’d rather win a Writer’s Guild award than almost anything…”
“No moral, no message, no prophetic tract, just a simple statement of fact: for civilization to survive, the human race has to remain civilized. Tonight’s very small exercise in logic from the Twilight Zone.” – The Shelter
Rod left us way too soon. Not surprisingly, he is still today someone we look up to, someone we admire. From The Twilight Zone to the Night Gallery, he put his imagination on display for millions of fans.
As a writer myself, I’ve often wondered what kind of morbid, macabre mysteries would have come alive if Rod Serling and Edgar Allan Poe had lived in the same century. Deaths-Head Revisited, Murders in the Rue Morgue, The Monsters Are Due on Maple Street, Annabel Lee, A Stop at Willoughby, The Fall of the House of Usher, Nightmare at 20,000 Feet and, of course, The Raven.
All that we see or seem is but a dream within a dream. Because this, you see, is the Twilight Zone. Quoth the raven, “Nevermore!”
This is not a whodunit, nor is it a Perry Mason murder mystery about the Case of the Kangaroo Court. What it is, however, is the Business Case for Creativity.
An excerpt from a review of the book itself reveals, “Debate in the advertising and marketing industries has raged for decades: does creativity make advertising more effective? Or is it just the folly of creative people looking to win their next award?
“The arguments of both advocates and cynics have until recently been based on conjecture and anecdotal evidence. James Hurman’s seminal creative effectiveness book The Case for Creativity brings the debate to a conclusion with three decades of international research into the link between creativity and business results.”
Tom Roach, BBH’s (Bartle-Bogle-Hegarty) effectiveness head, was asked by Thinkbox to present the business case for creativity at their spring event. Inspired by Thinkbox’s own innovative slide desk, the presentation he gave brought together the best evidence for the value of creativity in marketing communications. Here are excerpts from that presentation along with my own take on the case for creativity.
Simply stated, without creativity one has nothing. The beautifully executed creative plan of an advertising campaign can not be overshadowed by something comprised of “just the facts.” The campaign must have charisma, its own personality, to be believable. However, being believable doesn’t necessarily mean playing it safe or conservative.
Take this attitude from Keith Wood of Unilever in his Forward of the book:
That may be the case but the industry still has a ways to go and many more folks need to know. While this may be true, can we say there is a crisis in creativity? If so, how so and what is it?
First, let’s take a step or two back and ask: “What do we mean by creative?”
Well, there’s this . . .
And this . . .
And this somewhat in-your-face guideline . . .
Okay, all good and fruitful definitions and clarifications of what creativity is or entails. As with several key issues in the business world, creativity is complicated, especially when the problem is multifaceted and everyone on the marketing committee has a different viewpoint.
But, is there a crisis in creativity? Well, let’s see.
Campaign effectiveness has fallen (UL), Budgets have been falling (UR), Short-termination has been rising (LL), Long-term cases have lost efficiency (LR)
Hmmmmm, looking kinda murky, isn’t it? Let’s consider this :
Ah, yes, nothing like differentiation in car ads!
While the above slides are true, I vote for more thoughtfulness and less cutesyness. In some advertising, the ad could have the audio muted (saying what the ad is about) with just the video or image shown, and most folks wouldn’t be able to tell what product is being promoted. Let’s face it, cars and cologne can be interchangeable. And, I guess, trucks are destined to be driven only in the “out-in-the-middle-of-nowhere” scenarios.
I’d like to add at least one more: Intangibles. Sometimes you just don’t know what makes a good ad good. It just works.
I definitely agree with this last poster. Effectiveness is key to creative execution. Smart creativity is a must. Play to one’s audience still applies but do so without insulting their intelligence. I’ll go out on a limb and say that, generally speaking, a twenty-something copywriter has little to no understanding of how best to relate to the “senior plus” set, unless he can relate to his grandparents.
If you want to view a more in-depth portrayal of this presentation, see the Business Case for Creativity. It’s not your ordinary slide deck. Neither is the book on which the presentation is based.
Meow who? Wolf, Meow Wolf. Based in Santa Fe, New Mexico, Meow Wolf is an arts and entertainment group that is attracting audiences of all ages in its immersive art world.
Meow Wolf is comprised of over 400 employees creating and supporting art across a variety of media, including architecture, sculpture, painting, photography, video production, cross-reality (AR/VR/MR), music, audio engineering, narrative writing, costuming, performance, and more!
Meow Wolf creates immersive and interactive experiences that transport audiences of all ages into fantastic realms of story and exploration. This includes art installations, video and music production, and extended reality content.
Their first permanent installation, the THEA Award-winning House of Eternal Return, (HOER) launched in March 2016 with support from Game of Thrones creator, George R.R. Martin. Inside, guests discover a multidimensional mystery house with secret passages, portals to magical worlds, and an expansive narrative amidst surreal, maximalist, and mesmerizing art exhibits. Located in Santa Fe, HOER features a children’s learning center, a cafe and bar, and a music venue.
ImpactAlpha called this choose-your-own adventure, art installation, “one of the most successful examples of the creative economy.”
Meow Wolf champions otherness, weirdness, challenging norms, radical inclusion, and the power of creativity to change the world. Houston, are you listening?
Legally registered as a public benefit corporation and certified as a Benefit Corporation, or B Corp, Meow Wolf values investing in their creative team, giving back to their community, and doing their part to better the environment.
Through ticket, gift shop, food and beverage sales, and events, Meow Wolf is pulling in more than $1 million a month in revenues. George R. Martin, author of the novels adapted for HBO’s Game of Thrones series, is Meow Wolf’s landlord in Santa Fe. He’s also an investor and creative advisor to the firm.
This company, according to ImpactAlpha, emphasizes the potential of the creative economy. “This does not mean impact capital is not flowing to the creative economy—it is just not doing so on purpose,” Laura Callanan of Upstart CoLab told ImpactAlpha.
Meow Wolf firmly believes that accomplished artists must be compensated on an equal level with other skilled, in-demand professionals. Successful businesses must give back to — and participate energetically in — their communities.
Wolf provides financial assistance, expertise, and other forms of active support, and is excited to support innovative, community-focused art and social projects.
Meow Wolf’s path echoes what last year, in the Stanford Social Innovation Review, Callanan wrote: “When creative people pursue businesses that have a social purpose, they can have a catalytic impact on job creation, the economy, and social well-being.”
Meow Wolf’s jaw-dropping 10 year journey of an anarchic art collective has grown into a multi-million dollar business. According to their web site, Wolf grew from having no access to blowing a new, profitable portal into the art world.
This tumultuous journey has yielded new ways of participating in culture and entertainment for not only these artists, but for the people from all walks of life who engage in and are inspired by their work. With a mission to provide access to and inspire creativity in everyone, Meow Wolf continues to experience growing pains, while continuing to reach for new impossibles.
Does Houston have anything like this? While Houston is considerably larger than Santa Fe, the expansive geography lends itself to challenges for cultivating a strong and viable creative economy. Sure there are the museums, NASA, Space Center Houston as well as several start-ups in and around the Texas Medical Center serving as a harbinger of creativity and innovation.
But is that enough? One might argue that it is not.
Houston doesn’t seem to have a “meow wolf” instigator-like venue or organization to stimulate its own creative economy. Not that the city hasn’t tried. The Houston Arts Alliance, Greater Houston Partnership, Only in Houston/OiH Creatives, American Advertising Federation Houston are but a few of select organizations who have tried, and are still doing so, to pull together what it takes to stimulate the region’s creative economy.
As Meow Wolf would tell anyone or any city, this takes continuous effort and a belief that what one is doing is worth it for everyone. That remains a challenge for Houston, and one it must overcome.
In most circles, any discussion of mental health is still taboo. On this side of the “pond” we often pretend mental health is something other than what it really is, a disease, which can and should be treated.
In the UK, mental health is being put to the forefront by some interesting outdoor boards. The campaign is for Samaritan, a charity who tackles mental health and its challenges.
Featured in Ad Age, the campaign by Mother London directly takes on mental health by asking actual men, not actors, to share their stories and opinions. A unique approach the campaign uses is to feature handwritten words of advice from real-life men who have previously contacted the Samaritans feeling depressed or suicidal.
Running at locations like train stations, the boards are aimed at men when they are most susceptible, when they may be considering hurting themselves or pondering suicide. The campaign also includes social media ads.
According to AdAge’s reporting, the campaign comes as Samaritans releases results of a nationwide survey, which shows two in five (41%) men in England, Scotland and Wales aged 20-59 do not seek support when they need it because they prefer to solve their own problems.
Paul McDonald, executive director of external affairs at Samaritans, says: “We didn’t want to create just another awareness campaign. So we asked men to share their stories with us. Men who have been through tough times and come through the other side.
“They wrote some words down, and we’ve got those words on the posters to inspire and encourage other men going through difficult times to seek help, and to contact Samaritans if they’re ready to talk.”
Being in the U.S., I can’t help but wonder what kind of effect this sort of campaign would have on men here in the states. My guess is that results would echo the UK’s results if not prove more so. Most men like to solve our own problems or not even admit we have one.
Kudos to the Brits for trying to face this problem head on. Again, creativity in this case is best showcased rather simply but directly.
So what, dear readers, do you think of this campaign? Think it will work. Think it will do what it’s designed to do?
Let me know your thoughts. I’d love to hear your comments!