And you thought you had a dysfunctional family!
And you thought you had a dysfunctional family!
Winning an award in the advertising business is a big deal. The really big deals come annually during the sun-baked, beach-worshipping, booze-enhanced party in France known famously as the Cannes International Festival of Creativity. This year was no exception.
Except. One campaign that did win a Lion was done by MullenLowe/SSP3 for Hyundai called Speeding Emojis. As their brief explained, “Every day, more people are involved in car accidents for texting and driving. To make drivers aware of this issue, we decided to use one of the most common elements, when it comes to writing: emojis. But we wanted to use them in a different way. So, we decided to show how they would look at 69, 85, 43 and 76 km/h to prove that texting and driving at the same time just doesn’t make sense.”
The explanation given in the brief by the agency obviously doesn’t appear in the ad, nor should it. Given this, how is one to know what the image is? While the single line of copy is pretty self-explanatory, the big-ass image of a color swirl is not.
The campaign also uses several different emoji varieties with accompanying swirls of different colors, tying in with that emoji.
Given that the image dominates the ad and the tag line is sort of lost, it sort of begs the question: What the Hell does the image represent and/or why isn’t that explained in some fashion? Given an art director’s or designer’s perspective, one might wonder, “How’d they do that?” or “What is that supposed to be?”
Well, this is where it gets even more interesting. According to a post on Twitter, a very “similar looking” image is available from Shutterstock. Now, it’s not unusual to use stock imagery in spec work or presentations but unless an agency is in partnership with a stock footage and imagery company like Shutterstock, this is highly unusual and probably not even kosher. There’s not even a credit given to Shutterstock in the ad nor to the designer who created the original artwork, Rik Oostenbroek.
I’m surprised that, to my knowledge thus far, neither Shutterstock nor Rik Oostenbroek have contacted the agency or Hyundai about about this; of course, this assumes that approval was given beforehand. Even if it was, where’s the credit?
In reporting on the story, Adweek requested a response from MullenLowe who sent the following:
“In regards to this particular campaign, the images were identified as the most fitting way to illustrate the important ‘don’t text and drive’ message for our client. The appropriate rights for the four images were purchased through the correct channels and we acted legally within the terms of the licence. We have been in contact with the artist claiming credit for the work on social media, with a full explanation of the creative process and the surrounding legalities.
“D&AD investigated the entry and deemed it eligible on the evidence provided.”
But . . . where’s the originality? Some folks may not have a problem with using stock imagery in ads while I’m sure some do. Are we seeing some sort of trend in advertising? What’s the proper use of stock photography and when and where should it be used?
“If you literally copy and paste something and stick a line of copy on it, I don’t think it’s worthy of an award,” said Chris Garbutt, global CCO of TBWA\Worldwide and a frequent awards juror. “I don’t think it’s enough to do that anymore.”
I believe this ad and its campaign has a few issues. Feel free to write in the comments section of this blog and let me know your thoughts.
Personally, these images remind me of something caught in a time warp, but absolutely nothing concerning automobiles. The concept of “don’t text and drive” could apply to any cell phone provider’s message, for that matter.
The images do illicit one’s attention. However, their reaction may produce a “WTF?”
This blog usually highlights creativity and various aspects of innovation and imagination. On this Good Friday, I’m wondering if we as a society have what it takes to make it, and subsequent days, actually a good Friday.
Are we innovative and creative enough within each of us to make positive for civil discourse? Especially on those topics we disagree?
Though it would be a nice gesture to love our fellow man and woman, many don’t see that as reality. Treating one another with respect, however, is another matter. It’s one in which we should take to heart and do. All the time. Everyday.
Politics and religion don’t mix; at least, that’s what used to be said. Nowadays, one seems to feed off the other. If one person doesn’t like another’s religion, based in part of oft times misguided prejudices, that person ridicules, insults and basically treats that other person, whom he/she may not even know, like a second class citizen, if even that.
That’s wrong. That’s racism. That’s really being stupid.
I’m sure Jesus is looking down upon us all, shaking his head and thinking, “People, people what in Heaven’s name are you doing? That’s your brother; that’s your sister. Didn’t I teach you better than this?”
This is Friday. We’re at the end of the week, and what a week it has been. The sports world was stunned when we witnessed Tiger Woods win his fifth Green Jacket at The Masters (and his 15th major). No sooner than the celebration began did we learn about the horrific fire at Notre Dame Cathedral in Paris. And now the Mueller Report has been released, redactions and all.
Emotions have run high and low all week. Plus, this is Holy Week to boot. Jesus was crucified today and on Sunday (Easter) He rose. Let’s not forget Passover this weekend, too.
Given all that has gone on this past week and is yet to come, I pray that as a civilized people we can continue to come together; just a heck of a lot better than we’ve done thus far. It’s okay to disagree, folks; it’s not okay to berate, insult or make fun of someone simply because you don’t like what they said or how they look.
Alas, we seem to stray from true civil discourse and prefer to argue, sometimes violently rather than engage in calm rhetoric. We’re supposed to be creative individuals. Why not think in terms of possible solutions based upon our strengths and commonalities rather than our differences and negativity.
God blessed us with a brain. Let’s use it constructively along with our imagination to better our cause. But when we see injustice or something we don’t understand, it’s also okay to raise questions and challenge the status quo. We will never all see eye to eye.
But we all need to be moving forward. Onward and upward is not merely a catchy phrase, it’s a belief system. We have different and various beliefs, coming from disparate backgrounds and experiences. That’s a good thing.
So let us picture ourselves posing in a multinational, multiracial, multigenerational photo, arms crossed with hands clasped: Christians, Jews, Muslim, Arab, Israeli, Indian, LGBTQ, Martian (with and without antennae), Saturnite. That would make for a nice cover photo of Time’s Persons of the Year.
It would bring about a smile on Jesus’ face and put an extra bounce in the Easter Bunny’s hop. Let’s all try and have a truly good Friday and a blessed Holy Weekend.
Okay, I’ll admit it, I’ve been involved in the advertising and marketing industry for a long time. Mostly, I’ve enjoyed it. I love creating things. I love the creative process, creative problem solving. I love creativity.
Creativity is, in part, what this blog is all about. It’s also, me thinks, one of those words that is vastly overused, and when you ask several people what is meant by it, you’ll get several different responses. It’s difficult for most folks to equate creativity with, say, engineering. Frankly, I think it was damned creative when the design and engineering of the Golden Gate Bridge came about.
Creativity is always evolving. We, as creative practitioners, should be evolving right along with it. So, whenever I see an article on the subject or hear a renowned expert talk about it, I want to read and listen to what is said. Maybe I can pick up some tips.
That happened recently when reading an issue of AdAge. I thought I’d share some of what I read.
The expert: Sir John Hegarty.
Sir John was attending the 2018 Cannes Festival of Creativity where he’s been coming since 1989. A founding shareholder in Saatchi & Saatchi and a co-founder of TBWA London before starting Bartle Bogle Hegarty in 1982, Sir John has himself been behind hall of fame work for Levi’s, Volkswagen and Audi. Never shy about his opinions, Hegarty took the opportunity of yet another Cannes Lions to share a few thoughts on the current state of creativity with Ad Age.
A few excerpts from the interview by. . .
I was accused by Martin Sorrell of being a dinosaur because somebody said “Hegarty doesn’t believe in data,” which is not actually true. Data is fundamentally important. One of the greatest stories ever told, the Nativity, came out of data collection, didn’t it? You’ve got to remember a brand’s job is also to convert. . . . Go out and throw your net wide. How do I know who’s going to like what I’m selling?
It’s not that. It’s a lazy way of marketing: “Look at the data, what does the data tell us? It’s an instruction manual!” No, it’s not an instruction manual. You’ve got to think about how you’re building the values of this brand. I know I’m boring and I say this all the time, but a brand is made not only by the people who buy it but also by the people who know about it.
If I say to you “Rolls Royce,” you say, “Ooh!” You’re probably not going to buy one, but by talking to a broad audience who understands what your brand is about, you become part of culture. We are forgetting that part of advertising’s function of course is about effectiveness, but it’s also helping that brand become a part of culture.
I’ll get provocative here again: Fearless Girl did what for the brand? I don’t know what brand it was associated with. We’ve lost connection. We’ve confused persuasion with promotion. Everybody got hugely excited about the Nike FuelBand 10 years ago. I thought it was a brilliant promotion. I used to be a runner. There was no way I would ever run in Nikes. New Balance, yes. I don’t care how many FuelBands you create, I won’t buy them. I don’t think you make a great running shoe. You have to persuade me.
Why shouldn’t these people get involved? Unless you understand how to convert that into a communications program that stands out in the marketplace, then what’s the point? The trouble is agencies are their own worst enemies and are not very good at establishing a trusted rapport with clients.
Exactly. The greatest brand in the world is the Catholic Church. Best logo. Every lesson in marketing is there. The point is: Two thousand years, some problems, still going. Where will you be in 2,000 years?
Does it take a mindset of creativity to be creative? Huh, imagine that!
It’s Summertime! Generally, we all think of summer as starting on June 1 and going through August 31. Summer 2018 actually started June 21, the Summer Solstice, our longest day of the year.
What the heck does summer have to do with our creativity, anyway? Are we inspired because of the summer rains, weary of the intense heat, but relaxed and excited about our vacations?
Or do we hit our creativity pause buttons because of all these? Summer Time is supposed to be Fun Time, isn’t it? Isn’t creativity synonymous with fun?
Well, let’s step back a bit, shall we. My friend, Felix Scardino, LCSW, sends out a regular message at least once a quarter about various insights on creativity and the mind, art and psychology. In a message a few months ago, Felix referred to Thomas Merton reminding us that in Winter, plants appear dead, yet within them are resources that lead to new life. Spring thus bursts forth with color and growth, a season of creativity.
According to Felix, Spring can remind you not to jump to dire conclusions when all seems lost, when you can’t see much in your future, or when you feel that your reserves have dried up.
He notes that our resources for new ideas and insights are often so hidden that our lives look like dead branches, and we’ll begin to see shoots of life and hope, which usher us into our Spring.
Are we suppressing any feelings, hiding insights, feeling weary about expression? What of our hidden voice? Isn’t it time to feel alive again, to, as Felix puts it, allow what lives inside of us to come out?
Assuming we have done this during these past few months, can we presume that a new, refreshed mode of thought and creativity is taking shape within us for the summer months?
If so, what creative shape becomes us?
Summer: ‘Tis the Season of the Mind at Play?
In an article in KOSMOS, journal for global transformation, authors Jorge N. Ferrer, Marina T. Romero and Ramon V. Albareda discuss how creativity in academia is similar to our seasons.
In Summer, some flowers have matured into fruits and some of those fruits become ripe. It is the season of harvest, celebration, sharing, and gratitude. It is also a time to rest, to peacefully contemplate the new seeds contained in the fruits, and to plan another cycle for the following Autumn. In the creative process, the ‘fruits’ represent the ideas or expressions selected for further elaboration and refinement.
Summer is the season of the mind—a time for the intellectual and aesthetic elaboration of ideas. It is also time to open oneself to the many wonders, possibilities, and joys of summer, which can now expand and stimulate the mind with insights that can refine those fruitful ideas. That kinda sounds like f-u-n.
There is, however, nothing that says we can’t allow ourselves to be open to things year-round. Dialoging with others about one’s ideas in order to polish them, and putting those ideas into writing or other expressive means is a natural progression of the creative process whether or not this is done during summer. Yet, Summertime does present some unique characteristics and qualities.
It is usually a more relaxed time during which the mind can indeed play with its surroundings and explore possibilities, if we let it.
Curiosity is a wonderful attribute of creativity, and summer’s playground lends a world of potential ideas to the curious. Take time to play and be curious (always). Let your mind reignite and stimulate your passion. We owe it to ourselves.
However, therein lies the problem. Playing. We’re forgetting how to do it and we, both children AND adults, are not doing it enough.
Some theorists even suggest that the opposite of play is not work but depression! I can understand this point. Like millions of us, I suffer from depression, and lack of play. Summers used to be full of play and excitement: Golf and boating and water skiing. Seems life a couple of lifetimes ago!
As the seasons bring about different senses to the body – cold in winter, hot in summer – so, too, does the mind reflect these various feelings. One’s creative passion may run very differently when confronting a robust fireplace with a hot toddy compared to how one feels while sinking one’s toes in the sand at the beach on July 4th.
Both are valuable and resourceful experiences in our creative process. This is Summer Time, so take time to enjoy and let your minds play and explore. New dimensions within your own creativity lie ahead, waiting to be realized. As they are, our creative shapes evolve.
Relax. Summer’s heat may have you sweating and thirsting for coolness, but you have plenty of time before the fire will need stoking and the toddy heated.
Images have a way of striking our emotions. Creativity is fueled. Emotions are stoked.
Some folks get upset, angry, sad. Others become calm, excited, enthusiastic, joyful.
Shock, horror, puzzlement, admiration.
Some find peace while others find fear. Art and photography have a way of doing this. Museums and art galleries tend to bring these feelings out in all of us.
These past few months I’ve come across a variety of different images, different ways of conveying creativity. Since that’s what this blog is all about, I thought I’d share a taste of what I’ve viewed.
The Museum of Fine Arts Houston, The Guggenheim Museum in New York, and, yes, even Rod Serling’s Night Gallery in your mind are fine examples of artistic and creative expression. Those of you outside the U.S. who may not be familiar with Mr. Serling may find this rather intriguing regarding the paintings featured in his Night Gallery.
A few weeks ago I wrote about a summer conference I attended at Houston’s Jung Center on Imagination. As they often do, the Center featured several paintings on display at that time. A few caught my eye for one reason or another. If you’d like more information about these images, please contact The Jung Center.
I was struck by the vibrant colors immersed onto a dark background, but with areas of white and yellow stubbornly bursting through. I thought, “Chaos, indeed, but in a quiet, peaceful setting.”
I just thought this was a neat photograph. Then, the more I looked at it, I thought . . . “Hmmmm, umbrellas in variety of colors . . . would make an interesting ad for Travelers Insurance.”
This reminded me of some very cool abstract art that Apple may have for a screen saver, very vibrant in colors – you can’t take your eyes off it. I couldn’t. It’s actually a photo print on metal.
Vanzant’s discussion was intriguing on “The Visionary Imagination” alongside Jay Wehnert. This illustration was one of several artistic expressions presented that challenged the “boundaries of the imagination.”
These next two images below were not part of the Jung Center’s exhibit, but two very different photographs that caught my eye.
This first one was sent to me from the University of Notre Dame in South Bend, IN as part of a Thank You for supporting the university.
It captures one of the iconic statues on campus during Winter with the Golden Dome peaking out from the background. Note the areas of snow acting as “winter eyebrows.”
This second one was an ad I saw in a publication, Arts+Culture, based in Dallas, Texas. It’s one fine publication covering the arts and culture scene in Texas.
The photo immediately captured my attention because I wasn’t sure if I saw what I thought I saw: A young girl “shooting the bird.” Then I read the caption: “A little rebellion now and then is a good thing.” Thomas Jefferson said that and I’m inclined to agree.
The ad is for Nic Noblique -Sculptor. When I emailed Nic for permission to run the ad featuring his daughter, he told me the ad had received quite a few comments and he’d gotten good response from it. The photo, taken a few years ago when Azo was seven (she’s now 12), afforded their daughter the opportunity to flip the bird and “get it out of her system.”
I applaud both Nic and his wife Audra, not to mention their daughter, for having the guts to run an ad like this, and Arts+Culture Magazine for having the maturity to approve it for publication.
Art is a very subjective medium. Advertising can be as well. Both can be perplexing. As varied as our society is today, so are the images we confront.
Kudos to the creatives and artists who continue to push the envelope with taste and style and who entice our imagination and intrigue our minds.
And a thank you to those museums and galleries who think enough of the contributions to our collective, creative universe to exhibit and publish these works.
To the creators, go the spoils.
To the viewers, go the enjoyment.
To everyone, onward. Create!
This animated spot is simply awesome. And touching. And serious. And gripping.
It sort of grips you by the throat as you’re reaching for the Kleenex.
Every so often I see a commercial or piece of design work that intrigues me or, in this case, stops me in my tracks. The photo still alone does that but the spot goes on to do more damage to my soul.
According to Advertising Age’s “Creativity,” 180LA and UNICEF have earned the Cannes Grand Prix for Good for the “Unfairy Tales” campaign, a series of films that first seem to start out like sweet kids’ stories but then take dramatic and, at times, terrifying turns when you discover the children are fleeing for their lives from war-torn Syria.
Among the stories were the tale above, “Malak and the Boat,” which chronicled a seven-year-old girl’s harrowing journey on the seas, and, at the end of the trip, is the only survivor of a boat that had been once full of her fellow countrymen.
Kudos to the men and women who had the guts to go forth with this message and for the artful way in which it was created and produced. While the animation brings a potent emotional punch to the stories, the appearance of the real-life protoganists at the end of each short really drives the point home.
Visually stimulating animation and poignant storytelling.
A powerful combination. We’d be well served to see more of this.
The short films mark the debut of UNICEF’s #actofhumanity global initiative, designed to promote positive perception of the tens of millions of refugee children around the world.
The Grand Prix for Good is chosen from all the Gold Lion-winning work that was created for charities or not for profit, as well as those with public service messages, with the exception of those awarded in Pharma, Health/Wellness, Innovation and Film Craft. Such efforts are not eligible for Grand Prix in their respective categories. The Titanium/Integrated Grand Prix jury determines the winner.
Nicely done and well deserved!