Bored? Good! Quarantined? Yes! How’s Your Creativity? Read This.

Anxiety, panic, fear, pandemic stress: The cornerstones of the negative universe. Yet, while all hell is breaking around us, can we still muster up the courage to innovate and create. Is creativity still alive or is it merely napping? Do we create out of despair or want? Out of necessity or desire? I guess that depends on each one of us.

In a recent article in Psychology Today, boredom is cited as an almost certain stimuli for creativity. Now, some of you may not agree with this, and that’s okay. If you don’t and even if you do, let me hear from you with your reasoning.

According to the article, which contains some very interesting points I want to share with you, you’ll see explosive creativity everywhere you look: in how people stuck at home are constructing elaborate recreations of their favorite artworks for the #GettyChallenge; or how we make ways to connect—whether it’s singing from our balconies or happy hour delivery via drones—while social distancing; even in the acerbic memes and uplifting stories flooding social media to offer inane distractions and inspire hope during this crisis.

Interestingly, quarantine and the resulting ennui (a feeling of listlessness and dissatisfaction arising from a lack of excitement) of our home-bound brains have proven to be a catalyst for innovation. Thus, boredom breeds inventive creativity, as long as it’s the right kind of boredom.

Fruitful Boredom

Psychological studies describe five levels of boredom: indifferent, calibrating, searching, reactant, and apathetic. In its seeking state, boredom drives us to find something to engage and delight us. Think of the imaginary friend you had as a child; you did have an imaginary friend, didn’t you? Or the games you’d play with that certain stuffed animal, whose goal in life seemed to be avoiding Mom’s washing machine. Both scenarios seemed to trigger one’s own imagination, and, thus, your creativity. (Note: At least it did mine.)

In today’s society, real boredom escapes us; it seems everywhere you look, all eyes are staring into multiple-shaped devices hosting 24/7 news and entertainment. It’s as if we have to go out of our way to truly be bored.

bonding time of mother and child

Photo by cottonbro on Pexels.com

While technology provides us creative outlets and a means of connecting when we are physically isolated from one another, these distractions are like the digital equivalent of junk food for our brains while good old fashioned boredom is a hunger that nurtures creative thinking.

What’s unique about this quarantine is that it constrains us in so many ways.  Our typical means of working, socializing, and even provisioning ourselves have been dramatically restricted. And while people tend to think that constraints limit creativity and innovation, research proves quite the opposite to be true.

Continue reading

Obsession with Productivity Can Kill Creativity.

Don’t Let It Kill Yours!

How would a “productive day” compare to a “creative day”? What would, if anything, they have in common? Chances are not much.  One might think a productive day would be closely aligned with scratching off items on a to-do list. On the other hand, someone’s idea of a creative day might not even have a to-do list.

475px-The_ScreamOur current work world is obsessed with productivity. We are inundated with books, articles, white papers, to time block this and time block that; all just to do more work. But our relentless quest to be productive is undermining one of the most important abilities in today’s workplace: creativity. What of the future, though? Will machine learning and artificial intelligence perform the routine aspects of our work at the expense of our ingenuity and creativity?

So how do we create the right conditions for creativity, particularly when we are trying to deal with a to-do list?

Consider this comment from screenwriter Aaron Sorkin (the mastermind behind the television show West Wing and films like Moneyball and The Social Network). He told The Hollywood Reporter that he takes six showers a day. “I’m not a germaphobe,” he explains but when his writing isn’t going well, he’ll shower, change into new clothes, and start again. Sorkin’s trade relies on him minting something fresh on a regular basis. And it occurred to him that his best thoughts were not happening in moments of fevered concentration, but when he was in the shower. So he had a shower installed in the corner of his office and makes regular use of it. He has described the process as “a do-over” for triggering original ideas.

In 1939, James Webb Young, a Madison Avenue advertising executive, wrote a definitive guide to the process of creativity, A Technique for Producing Ideas. In this short book, Webb Young reminds us, “that an idea is nothing more nor less than a new combination of old elements.” In his view, the skill of creativity is the ability to spot new connections between familiar thoughts, and the art is “the ability to see [new] relationships.”

Fifty years later, Steve Jobs observed something similar: “Creativity is just connecting things. When you ask creative people how they did something, they feel a little guilty because they didn’t really do it, they just saw something. It seemed obvious to them after a while. That’s because they were able to connect experiences they’ve had and synthesize new things.”

Webb Young also lays out a remarkably simple technique for creative thought. It involves stimulation. Continue reading

Quotes on Advertising & Creativity

Greetings and good day to ‘ya! Here’s your respite into the world of famous and sometimes infamous quotes from a variety of personalities. Any one of these could prove motivation for that ad you’re working on, tweak your imagination, inspire you or just plain bring a smile to your face.

Feel free to share.

red-quotation-marks-vector-online-royalty-free-picture-435958

Nobody has ever built a brand by imitating somebody else’s advertising.
David Ogilvy, member, Advertising Hall of Fame

In the advertising business, a good idea can inspire a great commercial. But a good insight can fuel a thousand ideas, a thousand commercials. Phil Dusenberry, member, Advertising Hall of Fame

Our job is to simplify, to tear away the unrelated, to pluck out the weeds that are smothering the product message. William Bernbach, member, Advertising Hall of Fame

You can’t use up creativity. The more you use, the more you have.       Maya Angelou

The heart of creativity is discipline. William Bernbach, member, Advertising Hall of Fame

If you are writing about baloney, don’t try to make it Cornish hen because that is the worst kind of baloney there is. Just make it darned good baloney. Leo Burnett, member, Advertising Hall of Fame

Fun without sell gets nowhere, but sell without fun tends to become obnoxious. Leo Burnett, member, Advertising Hall of Fame

Yes, I sell people things they don’t need. I can’t, however, sell them something they don’t want. Even with advertising. Even if I were of a mind to. John E. O’Toole, member, Advertising Hall of Fame

Big ideas are so hard to recognize, so fragile, so easy to kill. Don’t forget that, all of you who don’t have them. John Elliott, Jr., member, Advertising Hall of Famered-quotation-marks-vector-online-royalty-free-picture-435958

There is no material with which human beings work which has so much potential energy as words. Ernest Elmo Calkins, member, Advertising Hall of Fame

 

 

Now, paraphrasing Seth Godin, Go Raise A Ruckus!

Special Friday the 13th Edition: Rod Serling – In His Own Words.

The Man. The Mind. The Mentor.

The Dad. The Television Star.

The Host. The Creator.

Mr. Twilight Zone himself.

Night of the Meek

Christmas is more than barging up and down department store aisles and pushing people out of the way. Christmas is another thing finer than that. Richer, finer, truer, and it should come with patience and love, charity, compassion.

Somewhere between apathy and anarchy lies the thinking human being.

Violence does not spring from a vacuum. It’s born out of other men’s violence. It gets nurtured and it grows in a soil of prejudice and of hate and of bigotry.

Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.

Serling-Judge him

A basic ‘must’ for every writer. A simple solitude– physical and mental.” ~ AS I KNEW HIM: My Dad Rod Serling

More than a man has died…More than a gallant young President has been put to death. What has been assassinated is a faith in ourselves. What has been murdered-a belief in our decency, our capacity to love, our sense of order and logic and civilized decorum.

Our greatest responsibility is not to be pencils of the past…

This is what I learned at Antioch-when something was wrong, I could get up on my own two feet and make comment on it… I think the idea of questioning is not only a right, it is a responsibility.

Serling-young

Remember that your salvation is in your capacity for human warmth–in that remarkable propensity for love.

I found that it was all right to have Martians saying things Democrats and Republicans could never say.

My dad said in a final interview, “I’d like to write something that my peers, my colleagues, my fellow writers would find a source of respect. I’d rather win a Writer’s Guild award than almost anything…

No moral, no message, no prophetic tract, just a simple statement of fact: for civilization to survive, the human race has to remain civilized. Tonight’s very small exercise in logic from the Twilight Zone.” –             The Shelter

Serling new pic

Rod left us way too soon. Not surprisingly, he is still today someone we look up to, someone we admire. From The Twilight Zone to the Night Gallery, he put his imagination on display for millions of fans.

As a writer myself, I’ve often wondered what kind of morbid, macabre mysteries would have come alive if Rod Serling and Edgar Allan Poe had lived in the same century. Deaths-Head Revisited, Murders in the Rue Morgue, The Monsters Are Due on Maple StreetAnnabel Lee, A Stop at Willoughby, The Fall of the House of Usher, Nightmare at 20,000 Feet and, of course, The Raven.

All that we see or seem is but a dream within a dream. Because this, you see, is the Twilight Zone. Quoth the raven, “Nevermore!”

Creativity in the Corporate Ivory Tower? Sheesh, surely you jest?!

This is not a whodunit, nor is it a Perry Mason murder mystery about the Case of the Kangaroo Court. What it is, however, is the Business Case for Creativity.

An excerpt from a review of the book itself reveals, “Debate in the advertising and marketing industries has raged for decades: does creativity make advertising more effective? Or is it just the folly of creative people looking to win their next award?

“The arguments of both advocates and cynics have until recently been based on conjecture and anecdotal evidence. James Hurman’s seminal creative effectiveness book The Case for Creativity brings the debate to a conclusion with three decades of international research into the link between creativity and business results.”

Tom Roach, BBH’s (Bartle-Bogle-Hegarty) effectiveness head, was asked by Thinkbox to present the business case for creativity at their spring event. Inspired by Thinkbox’s own  innovative slide desk, the presentation he gave brought together the best evidence for the value of creativity in marketing communications. Here are excerpts from that presentation along with my own take on the case for creativity.

Case for creaivity

Simply stated, without creativity one has nothing. The beautifully executed creative plan of an advertising campaign can not be overshadowed by something comprised of “just the facts.” The campaign must have charisma, its own personality, to be believable. However, being believable doesn’t necessarily mean playing it safe or conservative.

Take this attitude from Keith Wood of Unilever in his Forward of the book:

Forward-Case for Creativity

That may be the case but the industry still has a ways to go and many more folks need to know. While this may be true, can we say there is a crisis in creativity? If so, how so and what is it?

First, let’s take a step or two back and ask: “What do we mean by creative?”

Well, there’s this . . .

Novel . . .

And this . . .

Good ideas . . .

And this somewhat in-your-face guideline . . .

Make it different . . .

Okay, all good and fruitful definitions and clarifications of what creativity is or entails. As with several key issues in the business world, creativity is complicated, especially when the problem is multifaceted and everyone on the marketing committee has a different viewpoint.

But, is there a crisis in creativity? Well, let’s see.

Trends Wrkg Against

Campaign effectiveness has fallen (UL), Budgets have been falling (UR), Short-termination has been rising (LL), Long-term cases have lost efficiency (LR)

Ad Blocking

Hmmmmm, looking kinda murky, isn’t it? Let’s consider this :

Rising Sea

 

Smart Phones

Autos

Ah, yes, nothing like differentiation in car ads!

 

Case for creaivity

 

Creative Companies

S&P 500

Disruption

Creative Execution

Emotional

Ad Slogans

While the above slides are true, I vote for more thoughtfulness and less cutesyness. In some advertising, the ad could have the audio muted (saying what the ad is about) with just the video or image shown, and most folks wouldn’t be able to tell what product is being promoted. Let’s face it, cars and cologne can be interchangeable. And, I guess, trucks are destined to be driven only in the “out-in-the-middle-of-nowhere” scenarios.

Creativity Brings

I’d like to add at least one more: Intangibles. Sometimes you just don’t know what makes a good ad good. It just works.

 

Our Objective

I definitely agree with this last poster. Effectiveness is key to creative execution. Smart creativity is a must. Play to one’s audience still applies but do so without insulting their intelligence. I’ll go out on a limb and say that, generally speaking, a twenty-something copywriter has little to no understanding of how best to relate to the “senior plus” set, unless he can relate to his grandparents.

Case for Creativity Book

If you want to view a more in-depth portrayal of this presentation, see the Business Case for Creativity. It’s not your ordinary slide deck. Neither is the book on which the presentation is based.

Map Locations of Creative Class Growth Meet Up with “Rise of the Rest.” (Part 2)

Let’s face it: Economic growth is boring, though important. The better it is, the more resilient a community becomes. Out of this comes the culture and cultivation of the Creative Class. Houston may be the 4th largest city in the country but its creative class designation is, while on the upswing, crawling.

In this Part 2 blog post, I share some of the findings of Richard Florida, author of The Rise of the Creative Class, and his colleagues. Houston, despite all its size and culture, remains a lukewarm bed of creativity, especially when compared to New York, LA, and even Chicago. Most of that is due to the client base in Houston; much more B2B than B2C. More oil-n-gas than cornflakes; more energy than autos.

Based on Florida’s research and his colleagues’ input, they found that one of the most troubling trends of the past decade is the deepening geographic inequality across the U.S., especially through the clustering of particular types of talent in coastal cities like San Francisco and New York.

But a growing chorus of economists and urbanists suggest that we may be seeing the “rise of the rest,” a result of both increasingly unaffordable housing in established hubs and the improvement of the economies in less-established hubs.

While startups and tech employment remain highly clustered, recent reports suggest that some Rustbelt and Sunbelt metros are increasing their ability to attract college graduates.

Cincinnati Riverside

Cincinnati saw nearly 20 percent growth in its share of the creative class from 2005 to 2017. Aaron Bernstein/Reuters

Investigating what is actually happening to the geography of talent, Florida concentrated on changes in the location of the creative class for a period immediately before, during, and post-recession. While most studies equate talent with the share of adults who hold college degrees, his creative class metric is based on occupation.

About nine in 10 Americans with a college degree are members of the creative class, which is made up of knowledge workers in education, healthcare, law, arts, tech, science, and business. But, only six in 10 members of the creative class hold a college degree.

CreativeClass 2005

In 2005, the top ten list read like a veritable who’s who of the nation’s leading knowledge and tech hubs, led by Washington D.C., San Jose, and San Francisco. But Baltimore (with a large cluster of medical and scientific research centers around Johns Hopkins University) and Minneapolis-St. Paul also make the top-10 list, besting bigger metros like New York and Los Angeles.

In 2017, the creative class makes up more than half the workforce in the leading metros, and there are substantial changes in the rankings. San Jose tops the list, followed by D.C. and San Francisco, and now Denver and Philadelphia have joined the top ten.

CreativeClass2017

The map below shows the percentage growth in the creative class from 2005 to 2017. A number of Rustbelt and Sunbelt metros which have previously lagged now show robust growth. Salt Lake City posted the fastest growth, with Pittsburgh and Cincinnati next in line. Las Vegas, which had the smallest creative class share of large metros in 2005, also saw significant growth.

Of leading creative class metros, only Seattle and Baltimore registered comparable gains. On the flip side, superstar hubs New York, Los Angeles, and Washington, D.C., all ranked among the ten metros with the slowest creative class growth.

CreativeClassGrowth

The even better news is that the creative class—which often garners the highest paying jobs—appears to be growing as a percentage of total workforce employment across the board.

This next chart shows Houston coming in at 32nd out of 53 metro areas, between St. Louis and Pittsburgh for the 2005-2017 time span. Houston’s Creative Class growth rate approximates 37% over the 12-year span.

Growth:Change 2005:2017

According to Florida and his research associates, the creative class has seen remarkable growth over this time frame, increasing from 44 million members in 2005 to more than 56 million in 2017, as virtually all large U.S. metros saw growth. The rate of creative class growth (27.2 percent) was more than double the growth rate of overall U.S. workforce (13.6 percent) over this period.

Florida believes we may well be seeing the beginnings of a tipping point in the geography of talent as housing prices continue to rise in superstar cities, while metros in once talent-lagging parts of the country capitalize on the significant cost advantages and quality of life they have to offer.

Houston Skyline Glow

Houston Skyline Sunrise Glow Panorama – Color Texas Canvas Print is a photograph by Bee Creek Photography – Tod and Cynthia.

In Houston, as in other comparably sized metro areas, technology and shared work spaces are in the forefront of change and innovation. The medical community, at least in Houston, is striving as never before to consistently research and provide for better and faster disease fighters. Economic and infrastructure expansion in the Texas Medical Center continues to roll along. This progress goes hand-n-hand with expansion of the Creative Class.

But we can’t let up. Just as important as innovative medicine development is, so, too, is the expansion and underwriting of the arts, culture and creativity in its purest form.

 

So, let me know your thoughts, questions or comments. I’d really like to hear from you.

 

Richard Florida is a co-founder and editor at large of CityLab and a senior editor at The Atlantic. He is a university professor in the University of Toronto’s School of Cities and Rotman School of Management.

Meow Wolf’s Art World Raises Millions Highlighting Creative Economy’s Potential. Houston, take note! (Part 1)

Meow who? Wolf, Meow Wolf. Based in Santa Fe, New Mexico, Meow Wolf is an arts and entertainment group that is attracting audiences of all ages in its immersive art world.

Meow Wolf is comprised of over 400 employees creating and supporting art across a variety of media, including architecture, sculpture, painting, photography, video production, cross-reality (AR/VR/MR), music, audio engineering, narrative writing, costuming, performance, and more!

Meow Wolf creates immersive and interactive experiences that transport audiences of all ages into fantastic realms of story and exploration. This includes art installations, video and music production, and extended reality content.

 

Their first permanent installation, the THEA Award-winning House of Eternal Return, (HOER) launched in March 2016 with support from Game of Thrones creator, George R.R. Martin. Inside, guests discover a multidimensional mystery house with secret passages, portals to magical worlds, and an expansive narrative amidst surreal, maximalist, and mesmerizing art exhibits. Located in Santa Fe, HOER features a children’s learning center, a cafe and bar, and a music venue.

ImpactAlpha called this choose-your-own adventure, art installation, “one of the most successful examples of the creative economy.”

Meow Wolf champions otherness, weirdness, challenging norms, radical inclusion, and the power of creativity to change the world. Houston, are you listening?

Meow Wolf House of Eternal Return

Legally registered as a public benefit corporation and certified as a Benefit Corporation, or B Corp, Meow Wolf values investing in their creative team, giving back to their community, and doing their part to better the environment.

Through ticket, gift shop, food and beverage sales, and events, Meow Wolf is pulling in more than $1 million a month in revenues. George R. Martin, author of the novels adapted for HBO’s Game of Thrones series, is Meow Wolf’s landlord in Santa Fe. He’s also an investor and creative advisor to the firm.

This company, according to ImpactAlpha, emphasizes the potential of the creative economy. “This does not mean impact capital is not flowing to the creative economy—it is just not doing so on purpose,” Laura Callanan of Upstart CoLab told ImpactAlpha.

Meow Wolf firmly believes that accomplished artists must be compensated on an equal level with other skilled, in-demand professionals. Successful businesses must give back to — and participate energetically in — their communities.

Wolf provides financial assistance, expertise, and other forms of active support, and is excited to support innovative, community-focused art and social projects.

Meow Wolf’s path echoes what last year, in the Stanford Social Innovation Review, Callanan wrote: “When creative people pursue businesses that have a social purpose, they can have a catalytic impact on job creation, the economy, and social well-being.”

Asset 1

Meow Wolf’s jaw-dropping 10 year journey of an anarchic art collective has grown into a multi-million dollar business. According to their web site, Wolf grew from having no access to blowing a new, profitable portal into the art world.

This tumultuous journey has yielded new ways of participating in culture and entertainment for not only these artists, but for the people from all walks of life who engage in and are inspired by their work. With a mission to provide access to and inspire creativity in everyone, Meow Wolf continues to experience growing pains, while continuing to reach for new impossibles.

Does Houston have anything like this? While Houston is considerably larger than Santa Fe, the expansive geography lends itself to challenges for cultivating a strong and viable creative economy. Sure there are the museums, NASA, Space Center Houston as well as several start-ups in and around the Texas Medical Center serving as a harbinger of creativity and innovation.

Houston logo

But is that enough? One might argue that it is not.

Houston doesn’t seem to have a “meow wolf” instigator-like venue or organization to stimulate its own creative economy. Not that the city hasn’t tried. The Houston Arts Alliance, Greater Houston Partnership, Only in Houston/OiH Creatives, American Advertising Federation Houston are but a few of select organizations who have tried, and are still doing so, to pull together what it takes to stimulate the region’s creative economy.

As Meow Wolf would tell anyone or any city, this takes continuous effort and a belief that what one is doing is worth it for everyone. That remains a challenge for Houston, and one it must overcome.

 

 

Quotes . . .Quotes . . .Quotes. And then some!

Greetings and good day to ‘ya! Here’s your respite into the world of famous and sometimes infamous quotes from a variety of personalities. Any one of these could prove motivation for that ad you’re working on, tweak your imagination, inspire you or just plain bring a smile to your face.

Feel free to share.

It’s the start of the week. Have some fun. NOW!

Enjoy!!

smartquote-top The most common trouble with advertising is that it tries too hard to impress people. —James Randolph Adams, member, Advertising Hall of Fame

Advertising did not invent the products or services which called forth jobs, nor inspire the pioneering courage that built factories and machinery to produce them. What advertising did was to stimulate ambition and desire – the craving to process, which is the strongest incentive to produce.– Bruce Barton, member, Advertising Hall of Fame

We would accomplish many more things if we did not think of them as impossible.  Vince Lombardi

Advertising is what you do when you can’t go see somebody. That’s all it is. — Fairfax Cone, member, Advertising Hall of Fame

In writing advertising it must always be kept in mind that the customer often knows more about the goods than the advertising writers because they have had experience in buying them, and any seeming deception in a statement is costly, not only in the expense of the advertising but in the detrimental effect produced upon the customer, who believes she has been misled. — John Wanamaker, member, Advertising Hall of Fame

Creativity varies inversely with the number of cooks involved in the broth. — Bernice Fitz-Gibbon, member, Advertising Hall of Fame

There is no such thing as ‘soft sell’ and ‘hard sell.’ There is only ‘smart sell’ and ‘stupid sell.’ —Charles H. Brower, member, Advertising Hall of Fame

When a distinguished but elderly scientist states that something is possible, he is almost certainly right. When he states that something is impossible, he is very probably wrong. – Arthur C. Clarke

Millions saw the apple fall, but Newton was the one who asked why.       – Bernard Baruch

They who dream by day are cognizant of many things which escape those who dream only by night. – Edgar Allan Poe smartquote-bottom

 

Extraordinary Creativity. Dynamic Images, strikingly different. 100 Years Apart.

What do you get when you pair an egotistical, genius architect from the early 20th Century with a young Canadian-born illustrator producing incredibly creative work?

Oh, and throw in 100 years difference between the two.

What do they have in common? Extraordinary talent.                                 Extraordinary images.

One was a visionary; the other expresses her visions colorfully. He showed bold and dramatic executions; so does she. He was extremely creative and imaginative. Her: Ditto. That’s what this blog is all about: Various and different perspectives on creativity.

In reading articles recently on re-imaging, I was reunited with the subject of a paper I’d written years ago. This article took a different perspective. About the same time, I was introduced to a new subject of creativity in an article on illustration.

The subjects: Very different and very dynamic.

The subject I wrote about years ago was the infamous and egotistical architect, Frank Lloyd Wright. I was intrigued by his designs and his persona. His works were that of genius. My aunt, being an interior designer, was quite familiar with Mr. Wright, especially after seeing him in Chicago during the fifties. This heightened my interest and pushed me to write the paper.

frank-lloyd-wright_1

Courtesy PPG Paint Color Collection: Frank Lloyd Wright™

Since this blog centers around creativity and innovation, let alone imagination, I thought it appropriate to publish some of Wrights work with an intriguing take on some of his designs that were never built. They’ve been reimagined here in the 21st Century. Keep in mind, dear audience, that Wright flourished during the early 20th Century. He died in 1959. His last project, in Phoenix, was recently put on the market for $2.7M.

Spanish architect, David Romero, has created photorealistic computer renderings of unbuilt or demolished Wright buildings. Admittedly, as I was first reading about his process and looking at the photos, the settings seemed surreal.

Wright-car showcase-davidromero

Wright’s Roy Wetmore Car Repair and Showroom was to have been built in Detroit, Michigan. Credit: David Romero

Romero also painstakingly researched the context and location of the building, including adding era-appropriate cars, traces of rain and dirt on the building, and other details in order to bring the project to life. As a result, at times it can be hard to tell these are illustrations rather than stylized photographs.

gordonstrong-davidromero

Intended to stand atop Sugarloaf Mountain in Maryland’s Blue Ridge Mountains, the plan for the Gordon Strong Automobile Objective commissioned in 1924 called for a planetarium and restaurant to accompany a scenic overlook. Its developer, wealthy Chicago businessman Gordon Strong, envisioned it as a destination where families would drive for the day from Baltimore and Washington, D.C. Credit: David Romero

Take a trip back to yesteryear and see for yourself various Wright projects either demolished or even never built.

Larkin-Administration-Building-01

Larkin-Administration-Building-inside

 

 

 

 

 

 

 

The Larkin Administration Building (left) and inside the building (right) made design statements all throughout. However, the building does not exist any longer. Wright’s Larkin Building in Buffalo, New York—his first office building—was built in 1903 and demolished in 1950.

According to Romero, after gobs of research and learning, they had to be works that did not exist, either because they disappeared or because they never came to be built. The reason is simple: 3D rendering tools serve precisely for this, to show what does not exist.

Describing his process of recreation, Romero explains: “I start the model in Autocad, then I export it to 3ds Max + Vray where I add textures, lights and cameras, as well as vegetation and the environment. Finally there is some retouching in Adobe Photoshop, although very light.”

Creativity of today depicting creativity of a bygone era. Fascinating!

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

From the early 20th Century to present day we go. I find that creativity is not age based. What’s creative and imaginative is creative and imaginative, regardless of when created.

Take the young Canadian illustrator, Lynn Scurfield. She has positioned her career path thusly: “I wanted to be an animator until I saw artist Alphonse Mucha’s work in high school. I knew that I had to do what he did! Drawing insanely beautiful images and then having them used in different commercial ways was mind blowing.”

Lynn-Slf_Portrait2020

I was taken with this illustration of a smoke monster-type creature (any Lost fans out there?) apparently poised to eat a woman who is just leaving this house, oblivious to her impending danger.

Scurfield Illust

“Hello! I’m an illustrator living in a sleepy town just outside of Toronto, Ontario. My work is defined by crazy colours and textures with strong emotional qualities.”  For Marzena Czarnecka’s article ‘Unsafe at Home, Lost in the System,’ for city lifestyle magazine Avenue Calgary.

She describes her approach as . . . “My art style, which utilizes a mix of media, really confuses people because they never know how much of my work is done traditionally versus digitally. People are also intrigued by how emotional my work can feel. I’m usually hired to create images about emotionally difficult topics, like death, mental health and separation. The fact that I’m being hired to make illustrations that emotionally connect with a general audience is special and amazing.”

. . . and her philosophy as . . . “Don’t overthink your work. When I was in school, I was always worried if my work was good enough, if it was cool enough, if I was a two-bit artist. Since I’ve started working in the industry, I’ve realized that thoughts like these aren’t healthy, and they don’t make you a better artist. I like my work more now that I care less about what people think. As long as my clients are happy with the final results, I’m happy!”

Walrus-Lynn

“For Erin MacNair’s short story ‘Thin Crust,’ for general interest magazine The Walrus.”

Interestingly, both Wright and Scurfield, though a century apart, expressed their work in striking and dramatic ways while emitting strong, emotional qualities. Imagination is at the heart of creativity and the images exhibited by these two talents stirs that imagination.

Born of different generations, one has left his indelible mark in the world of architecture while the other continues to illustrate hers. Take heed; the rest of us can learn something. Creativity and imagination are not constrained by time and space, and to a lesser degree, neither are we. Think about it!

Fun, Frivolous, Famous, and Fearless Quotes . . . Food for your Soul!!

red-quotation-marks-vector-online-royalty-free-picture-435958Here we are again, searching through the online Quote Bag. Some of the gems I found are listed below.

Your respite into the world of famous and sometimes infamous quotes from a variety of personalities. Any one of these could prove motivation for that ad you’re working on, tweak your imagination, inspire you or just plain bring a smile to your face.

 

Charles Kettering Quote

I am looking for a lot of men who have an infinite capacity to not know what can’t be done.” – Henry Ford

My stories run up and bite me on the leg. I respond by writing down everything that goes on during the bite.” — Ray Bradbury, the author of Twilight Zone’s 100th episode!

Ray Bradbury Title Card

From someone on Twitter:
It was the great Ray Bradbury, whom I interviewed as a young reporter and aspiring novelist going in five different directions at once and totally befuddled.  His simple advice to me:  “Write what you love to read.”

Rod Serling Quote

 

Mark Twain Quote

 

It is the supreme art of the teacher to awaken joy in creative expression and knowledge.”   – Albert Einstein

There have been three writers that most suit me: Rod Serling, Clifford Odets and Neil Simon. With Neil it was the humor and the rhythms. Odets, the staccato. But with Rod Serling, it was the anger, the defiance and fire. He brought such fire to everything he wrote.” — Jack Klugman

No knowledge of what went before. No understanding of what is now. No knowledge of what will be.  #ZoneQuotes #S3E14  “Five Characters in Search of an Exit” by Rod Serling

Creativity requires the courage to let go of certainties.” – Erich Frommred-quotation-marks-vector-online-royalty-free-picture-435958

 

 

 

 

Which ones ring true for you? Inspire you? Make you want to scratch your head and say “Huh?” Let me know in the comments.