Happy Halloween? The Trumpster Gets Treated.

Young trick or treaters being scared by a Trump-like figure with orange hair and carrying two very full pumpkins of candy

Striking, isn’t it? Kinda scary, too; well, at least for the little kiddos, all masked up with candy-laden pumpkins running for their lives. It’s Halloween, after all, and when I saw this illustration I couldn’t resist sharing on this most appropriate of “holiday.”

This blog is not purposefully political but because this cover art of a well-known magazine gets one’s attention by the illustration, I thought it worthy of being shared.

There will, of course, be those who don’t find it funny in the least; others will think it hilarious. Artwork, in this illustrative form, is very creative. It does more to entice the reader inside to view the story than any photograph would do.

It also helps that it’s Halloween.

The New Yorker offers a playful trick-or-treat-themed cover—with a political edge. The work of illustrator Mark Ulriksen, a longtime contributor to the magazine, it shows President Donald Trump striking fear into the hearts of trick-or-treaters.

When New Yorker Art Editor Francoise Mouly interviewed Mr. Ulriksen, he briefly addressed the political subtext of the cover:

Mouly: Your previous Halloween covers have featured a haunted version of the Capitol and some colorful characters in Congress. We’re sensing a theme.

Ulriksen: Yes, I somehow equate Washington politicians with scary monsters.

Well, there you have it, boys and girls.

Happy Halloween, everybody.

BOO!

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Hall of Fame Quotes – Advertising & Otherwise

In another in a series of various illustrious quotes, I showcase some worth-remembering “sayings” which I find interesting and inspiring. Hopefully, you will, too.

Some quotes are from the American Advertising Federation newsletter “Smart Brief,” while others come from various sources. Enjoy!!

quote

A meeting is an event at which the minutes are kept and the hours are lost. – Bob Pritchard

Rules are for people who don’t know what to do. – Keith Reinhard

Creativity is a drug I cannot live without. – Cecil B. DeMille

A good ad should be like a good sermon: It must not only comfort the afflicted, it also must afflict the comfortable. – Bernice Fitz-Gibbon

Advertising reflects the mores of society, but does not influence them.  David Ogilvy

Like the musical score, a mission statement is only as good as the performance it inspires. – Keith Reinhard

Ideas pull the trigger, but instinct loads the gun. – Bob Pritchard

The brain is a wonderful organ. It starts working the moment you get up in the morning and does not stop until you get into the office.                    Bob Pritchard

Regardless of the moral issue, dishonesty in advertising has proved very unprofitable. – Leo Burnett

Anxiety brings with it massive energy and it is what we do with that energy which separates us.  Laurie-Beth Robbins

 

So, gotta favorite? Lemme know.

See ya next time!

Special Friday Edition: DaVinci, Einstein & the Chocolate Couple.

Every once in a while I see some sort of art exhibit that I just go “What the . . .?!”

I experienced this again recently and thought I’d share with you. As you’ll see, the exhibit, featuring actual live human beings, is both surreal and a bit unreal. Except that it is, uh, real, that is.

Evidently, this takes place each year in Belgium. It’s called the Statues en Marche festival in Marche-en-Famenne, Belgium. Various real live actors portray different characters. Some are famous as in DaVinci and Einstein, while others are less so, as in the Couple en Chocolat. 

DaVinci

An artist impersonating Leonard De Vinci takes part in the Statues en Marche celebration. REUTERS/Yves Herman

I’d love to know the backstory with some of these actors, given the amount of time some of them have to remain quite still. Regardless and from a journalist’s perspective, when was the last time you sat down and interviewed a couple of chocolate? This festival didn’t indicate what names, if any, some of the actors were portraying. Mr. & Mrs. Snickers?

ChocolateCouple in Belgium

Artists who call themselves “Le couple en chocolat” take part in the Statues en Marche festival in Marche-en-Famenne, Belgium. REUTERS/Yves Herman

 

Einstein Statue

An artist impersonating Albert Einstein in Marche-en-Famenne, Belgium. REUTERS/Yves Herman

Check out the Statues en Marche festival and more.

Creativity takes many forms in many different places. Intriguing!

Masking Emotional Creativity

Mask-tongue

What an unusual and intriguing exhibit. Emotions on display.

Extraordinary.

When I first saw some of these works in an article, I thought “how inspiring!” So, I wanted to share. Creativity, as this blog illustrates, comes in a variety of executions. Even though digital seems to be everywhere these days, I find it refreshing to see exhibits like this one in London that showcase a traditional form of creativity – in paper.

The upcoming 2018 London Design Biennale will be devoted to the theme of ‘Emotional States’. National entries will explore how design affects every aspect of our lives – the way we live and how we live – and influences our very being, emotions and experiences.

For the second consecutive edition, Pentagram, the world’s largest independently-owned design studio, has created the visual identity and promotional materials for the Biennale. As with the previous identity, a restricted colour palette of orange, black and white is used.

In response to the theme of ‘Emotional States’ and taking inspiration from Charles Darwin’s seven universal emotions, Pentagram created and commissioned a series of arresting masks, handmade by Wakefield-based paper artist Andy Singleton and photographed by London-based John Ross.

Mask1

A universal phenomenon that spans centuries, masks have been used to interpret and illustrate the beautiful, the grotesque, the sublime – and everything else in between. Pentagram’s aim was to create a series of masks that could subtly, yet coherently, communicate this diverse range of emotional states.

Pentagram decided to use paper – supplied by G.F Smith – to create the final masks, owing to both its flexibility as a material, and its capacity to inspire intimacy from the intricate nature of its craft. Working with paper-artist Andy Singleton in an iterative process of trial and error, the final form of each mask was defined, and subsequently sculpted.

The resulting avant-garde masks, photographed by John Ross, bring the Biennale’s theme to life in a way that is independent of race, gender and age. The striking visual identity delivers captivating visuals that have been applied across the event’s online banners, print, outdoor, social media and marketing materials – which were also designed by Pentagram.

Masks 1

Masks 2

 

 

 

 

 

 

 

 

Read more about the upcoming September exhibit and

Pentagram’s involvement.

Seth and Secrets (to good ideas)

I’m a follower of Seth’s Blog. You may be, too. If not, you ought to be.

That’s Seth, as in Seth Godin. He’s a very prolific writer and blogger and best-selling author.

Recently, I read a post he submitted about ideas. I’ve posted it below for reference.

Two simple secrets to good ideas

Secret #1 is the biggest one: More bad ideas. The more bad ideas the better. If you work really hard on coming up with bad ideas, sooner or later, some good ideas are going to slip through. This is much easier than the opposite approach.

Secret #2 is more important: Generosity. It’s much easier and more effective to come up with good ideas for someone else. Much easier to bring a posture of insight and care on behalf of someone else. It lets you off the hook, too.

My take.

Relative to Secret #1, seems that most brainstorming sessions tend to shut down people who come up with any idea that someone else finds stupid, offensive or one sounding similar to something presumably already tried. That. Is. Dumb. That’s the worst thing anyone could do: Stifle someone else’s thought and idea.

There is a process for generating ideas, all kinds of ideas. There’s also a process for weeding out the so-called good ones. And these processes are not one and the same.

A bad idea is just a good idea awaiting an appropriate execution. Or is it? Is there an appropriate execution for any “bad” idea? Oh, by the way, what makes the idea “bad” in the first place?

Before you can generate a list of ideas, good or bad, you should first agree on a specific question to be answered or addressed. Once that’s done, it’s much easier to devise a list of ideas generated in a short period of time, say five minutes, and then “edit” them later.

I’d suggest giving everyone in the session a stack of sticky notes and instruct the folks to write down a word or two on each sticky that attempts to answer the question. People are being forced to think quickly and not compose sentences, just thoughts. The sticky notes can later be easily organized to further benefit the brainstorm.

Oh, and don’t forget the trash can! You have to collect all the so-called “bad” ideas for disposal later. (Hint: Don’t actually dispose of them right away, but for this one exercise, they no longer exist, which will freak out some people.)

It’s interesting to do this same exercise but go back to review and edit the ideas that were discarded in the first exercise. You’re now attacking the same question with answers or ideas that are derived from an opposite perspective.

One could call this generosity that Seth refers to in Secret #2. Rather than assuming that all ideas previously discarded are no good, a generous mindset is to review them, discuss and edit down to only one that could be plausible.

Who’s to say which idea is good or bad. They’re different. True, one may be more applicable than the other but you won’t know that until further due diligence is done.

Quotable Quotes: Sir John Speaks, Again.

In a recent blog, I published an excerpt of an interview with British advertising legend John Hegarty, co-founder of Bartle Bogle Hegarty. While he was there in Cannes for their 2018 Festival of Creativity, he had more to say during a lunch event.

Here are some of Sir John’s pearls of wisdom:

The fundamentals of marketing haven’t changed, the tactics have. But the marketing industry has forgotten the art of persuasion.

Marketing people don’t step out of their bubble enough and see how the general public live.

The separation of media and creative was one of the biggest mistakes ever. The market isn’t always right.

The three pillars of branding: Is it memorable; am I motivated by it; is it truthful? We remember ideas and things that move us.

We’re living in a celebrity culture, not a fame culture. Fame adds to a brand’s value, even if you’re not going to buy it. A brand is not only made by the people who buy it, but also by people that know about it.

The foundation of brands is trust.

Data has been around since the nativity, but we’ve become slaves to it, like we did with market research.

Message to creatives: read things other people aren’t reading.

Being the biggest isn’t the same as being a brand leader.

Have a favorite? Let me know!

A French Quarter Tale: The Can

Note: This is a different kind of blog post. It’s my take on a short, short story; a brief tale, if you will. It’s also my take on where my imagination lead me following a dream I had recently. Submitted as a tribute in memory and in honor of the late Rod Serling, whom I regret I never got the chance to meet. Maybe someday. 

The corner store. The neighborhood grocery. Every town has one, except there’s no town quite like this one. There’s no store quite like this one. It befits its neighborhood, however. Both are quaint, old and, like the city, both have history.

Some would say colorful. Some, macabre.

By all appearances, this quaint neighborhood grocery store is not unlike many others. The shop owner is friendly, if not a bit surly at times. He stocks a small but ample variety of goods in keeping the interests of his neighbors in mind.

However, this is no ordinary neighborhood grocery. Shelf life, for some items at least, can seem to last longer than the items would like. Whilst sitting on the shelf and being on display, what goes through their minds?

Oh, come now, you say; they’re inanimate objects, they have no minds. Well . . .

Our tale centers around an everyday object in an everyday place; however, this object can’t see; it can only experience and sense. What it “sees” is hazy, blurry. It can sort of “hear” but it’s not sure what the sounds are or from whence they come. It doesn’t know where it is or even what it is. It only knows it is content and happy to be wherever it may be, peering out through some hazy blanket of blur as the world passes by.

tomato-2465867_1920

Courtesy of Pixabay & Photorama

This is our brief tale on life’s perspectives from a can on a shelf in a grocery store in the French Quarter in New Orleans . . . as told from The Twilight Zone.

****************

“There’s that blasted ringing, again! For some reason, everytime I hear that, a voice says ‘Hello’. A form of greeting?”

“Why can’t I move? Am I supposed to move? How long have I been here, wherever I am? I don’t seem to have any connotation of time or even what form I’m in. I don’t know why but I sense there are others around and beside me. Are we all the same?”

“Why do I have so many questions? Am I even supposed to “think,” whatever that is. Why is everything blurry? I get a feeling I’m inside somewhere. Wait, I see movement in front of me, but there’s something between me and the movement. ”

“What are those objects? They move in both directions, and some even stop and look toward me. Then they move on by. Why?”

“Whoa, what’s that? I’m moving! I’m being lifted off this shelf-thing. I, I’m being turned on my side. Hmmmm, I didn’t know I had sides. What’s happening to me?!”

“It’s blurry. Some figure is right in front of me and, whoa, I’m being put back on this shelf-thing. Why? What did I do? This figure in front of me seems to be picking up something next to me. But, wait. The figure takes it, emits a sound and drops it in some sort of carrying device. Why it and not me?!”

“Though I can’t quite make it out, there appears to be another figure pressing up against something and looking in. What is that? Wait, it appears to be looking right at me. Should I feel nervous, even though I don’t know what nervous is?

“Wonder what it’s like on the other side of that something? There appears to be lots of movement beyond me, in both directions.”

“There’s that ringing again. And the ‘Hello.’ Am I imagining all this? I dunno. Wait, now I think I see more figures slowing down in front of me. They both have those carrying devices like before.”

“Oh, boy, here we go again! I’m being picked up, turned on my side . . . and, nothing. What’s going on? ”

“Whooooaaaaa! I’m airborne. I’m upside down, then right side up, then . . . OUCH! I seem to have left my shelf-thing. Now, I think I’m on my side. Could it be I somehow landed in this figure’s carrying device?”

“WOW, what a different sensation!

As an aside, our can is now experiencing a sensation it has not “felt” in some time; not since it was first shipped to the store, unpacked and carried to the “shelf-thing”. It doesn’t know how long it’s been in the store nor where it’s next destination will be. 

“What’s happening to me? I feel like I’m moving, yet I’m in close quarters with other objects all around me.”

“Wait, what’s that? I sense that I’m in a different type surrounding than before. There are a lot more blurry figures all around. Is this “outside,” wherever that is? I don’t know what I’m feeling but my sides are getting warmer, and things seem to be, uh, brighter?”

“Where are we going? I demand to know! Put me down this instant!”

“What’s this? We seem to have arrived somewhere. There are more blurry figures but I think we’re inside some other place now.”

“Ah, finally, my colleagues and I are getting out of this contraption. Whoa, here I am again, airborne!”

“‘Umph!’ rough landing, there. Okay, I don’t recognize this place but there seems to be a lot of activity here. Good. Maybe I can acquaint myself with some of the others who made this jaunt with me.”

“Wait, I’m getting dizzy, I’m going upside down. What’s happening to me? Gaaa!”

“I’m being shaken. Whoa, this is not good. I, I’m losing something. Oh, my, it appears to be what I’ve been holding inside me all this time. What is that? I can just barely make it out; it’s blurry but it appears to be . . . Ahhhhhhh!”

tomatoes-1611589_1920

Courtesy of Pixabay & markusspiske

“I’m airborne again, twisting end over end; getting dizzy and lightheaded. Now, what. All has stopped. I’m not moving. Everything is dark. I feel funny. I don’t like this.”

“‘OUCH!’ What the . . . something just landed on top of me. Where am I? Hello, anyone there? Hello . . .?”

The hustle and bustle goes on. The blurry figures continue with their appointed tasks. This kitchen, you see, is busy getting orders ready to serve their demanding customers. A variety of culinary delights are being prepared with ingredients from all over the city. Even though fresh vegetables and fruit are a vital part of this kitchen, every once in awhile, canned goods are utilized in a mix of seasoning. Simple but tasty.

Our subject in this tale has involuntarily offered up its flavorful contents to please the palate of a waiting and hungry patron. Its journey has ended as it now rests among others experiencing a similar fate: The darkness of despair, which some of us would refer to as a garbage heap.

Postscript: This brief tale is offered up to the everyday shoppers, consumers and others who go about their daily lives perhaps pondering if this is all that life presents. The curious among us may pursue but we suggest one simply enjoy what some may deem merely an imaginative tale from the perspective of a can in the French Quarter . . . as told from The Twilight Zone.

 

This post first appeared on my other blog, Joe’s Journey.