Turning Gobbledygook Into Useful Garbage

Stumped. Writer’s Block. Stymied. Confused. It’s all a jumble of nothingness.

What Do You Write When You Don’t Know What to Write About?

So, how do you turn nothingness into somethingness? Start writing! Anything.

The words will come, thoughts will flow and, eventually, creativity will blossom.

You can’t force it, however. It must evolve naturally, at your own pace. Usually, if a creative suggestion doesn’t appear in your thoughts within about 20 minutes or so, abort the process and go on to something else. Then come back to it hours later or the following day.

Some writers think before they write. Some think as they write. Some writers don’t think at all; they just write a bunch of gobbledygook. That’s fine, as long as you go back and turn the gobbledygook into useful garbage.

Turning that garbage into something quite palpable and enticing will take a process of editing and refinement but when you’re at this stage, you’ve got it made.

 

Hopefully making a ruckus, one blog post at a time!

Be sure to check out my other blog, Joe’s Journey, for a different kind of playground for creativity, innovation and inspiring stuff.

 

Live Long and Prosper, Ukraine!

 

March Madness, er, uh, Quotes, That Is!

The quotations are as varied as the people who said them. Some you know, some you don’t. That’s what makes them interesting. From Burke to Burnett, Einstein to Degas; throw in a little Serling for seasoning and you’ve got a tasty recipe for March’s quotes.

 

We don’t grow unless we take risks. Any successful company is riddled with failures. — James E. Burke, Advertising Hall of Fame

Success or failure in business is caused more by mental attitude than by mental capacities. — Walter Dill Scott, Advertising Hall of Fame

Anyone who thinks that people can be fooled or pushed around has an inaccurate and pretty low estimate of people — and he won’t do very well in advertising. — Leo Burnett, Advertising Hall of Fame

If we knew what we were doing, it wouldn’t be called research, would it? – Albert Einstein

If you fall in love with the imagination, you understand that it is a free spirit. It will go anywhere, and it can do anything. – Alice Walker

Curiosity killed the cat, but for a while I was a suspect. – Steven Wright

You must aim high, not in what you are going to do at some future date, but in what you are going to make yourself do to-day. Otherwise, working is just a waste of time. – Edgar Degas

Our job is to simplify, to tear away the unrelated, to pluck out the weeds that are smothering the product message. — William Bernbach, Advertising Hall of Fame

How do we turn science fiction into fact? We do it by inventing our own future and figuring out the realistic steps that we need to make in order to get there. Dare to dream. Let your imagination leap. — David Shapton, Editor In Chief, RedShark Publications, 2012 to 2020

 

Hopefully making a ruckus, one blog post at a time!

Be sure to check out my other blog, Joe’s Journey, for a different kind of playground for creativity, innovation and inspiring stuff.

 

 

Live Long and Prosper, Ukraine!

 

 

Empowering the Women of Advertising – Today

Today is the day of AAF Northeast Arkansas’ panel discussion on Empowering the Women of Advertising. I’m proud to be a participant on their panel so I have a vested interest in the event’s success.

Increasing diverse participation in advertising and marketing is a business issue, and we need everyone involved. To that end, AAF Northeast Arkansas is today raising awareness about ways to involve more men in creating inclusive work environments and how women can claim their strength within the advertising realm. 

By coincidence, a British publication interviewed several key women in advertising about the current status of their gender within their industry. The timing of this report is appropriate with the timing of the Arkansas AAF panel today.

Think about the people who make the buying decisions for their households. It’s extremely likely that the majority of them are women. And they’re probably more likely to be older than younger. Now think about agency creative departments that you know of – do those teams reflect the people who are likely most efficient to market to? Probably not.

In a recent interview with LBB, a British publication, Sue Higgs, joint ECD at dentsuMB in the UK, had this advice: “I find that it’s someone else’s problem, ageism”. The stage in life Sue’s at now is a huge asset to her as a creative leader. “The great thing about being in your mid-life or wherever we are is that it’s quite liberating,” she said. “It’s quite liberating, I think, to find your strength, and your power, and your voice.”

And that liberated voice is exactly what creatives need to flourish. One thing Sue said she’s learned from her experience is that: “As you get older you learn that people lose their jobs for a trillion reasons and none of them is actually speaking your mind. There’s nothing more fulfilling to say to a young female than: ‘Just tell them. Just say it, your biggest weapon is your point of view. That’s why you’re here. Please use it.’

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Creativity Takes Courage

Fear and courage don’t seem likely bedfellows. Yet, they are showing us every day how they play together amongst the citizenry of Ukraine. When you’re fighting for survival, it stretches the limit of one’s creativity. Some may say that creativity is not even involved in warfare. I disagree.

While creativity in warfare interacts with a much higher level of courage and seriousness compared to presenting an advertising campaign, it requires effort and takes courage, as Matisse says. The Ukranian people are showing resiliency and mucho bravery. Creativity lives within that realm.

Fear and courage impact our creative thinking and expression

Even in a non-combat zone, fear attacks us everyday. Courage is what most of us try and muster to get through a day’s time unscathed by said fear. We may not be fighting to stay alive but we are fighting. We’re fighting our internal demons and our self-doubt. We’re fighting to retain some of our creativity and resourcefulness.

Author and teacher Elizabeth Gilbert admits “the only reason I can speak so authoritatively about fear is that I know it so intimately. I know every inch of fear, from head to toe. I’ve been a frightened person my entire life.”

She points out that “Evolution did well to install a fear reflex within you, because if you didn’t have any fear, you would lead a short, crazy, stupid life. You would walk into traffic. You would jump into giant waves off the coast of Hawaii, despite being a poor swimmer…

“So, yes, you absolutely do need your fear, in order to protect you from actual dangers.

But you do not need your fear in the realm of creative expression.

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A Tip of the Hat to the Cat in the Hat! (and his creator)

Happy Belated Birthday, Dr. Seuss!

As you may have gathered by now, this post is an out-of-the-ordinary-one. It celebrates one of our nation’s top word sleuths, a master of reduced vocabulary and a penchant for a feline sporting a floppy chapeau.

His birthday was yesterday but his creativity, particularly with and for children, certainly merits more than just a mention in this creativity blog. He is, of course, Dr. Seuss, and with that brief introduction comes some background that some of you may not know.

Theodor Seuss Geisel (March 2, 1904 – September 24, 1991) was an American children’s author, political cartoonist, illustrator, poet, animator, and filmmaker. He is known for his work writing and illustrating more than 60 books under the pen name Dr. Seuss. His work includes many of the most popular children’s books of all time, selling over 600 million copies and being translated into more than 20 languages by the time of his death.

Geisel adopted the name “Dr. Seuss” as an undergraduate at Dartmouth College and as a graduate student at Lincoln College, Oxford. He left Oxford in 1927 to begin his career as an illustrator and cartoonist for Vanity Fair, Life, and various other publications. He also worked as an illustrator for advertising campaigns, most notably for FLIT and Standard Oil, and as a political cartoonist for the New York newspaper PM.

He published his first children’s book And to Think That I Saw It on Mulberry Street in 1937. During World War II, he took a brief hiatus from children’s literature to illustrate political cartoons, and he also worked in the animation and film department of the United States Army where he wrote, produced or animated many productions including Design for Death, which later won the 1947 Academy Award for Best Documentary Feature.

After the war, Geisel returned to writing children’s books, writing classics like If I Ran the Zoo (1950), Horton Hears a Who! (1955), The Cat in the Hat (1957), How the Grinch Stole Christmas! (1957), Green Eggs and Ham (1960), One Fish Two Fish Red Fish Blue Fish (1960), The Sneetches (1961), The Lorax (1971), The Butter Battle Book (1981), and Oh, the Places You’ll Go (1990). He published over 60 books during his career, which have spawned numerous adaptations, including 11 television specials, five feature films, a Broadway musical, and four television series.

Geisel won the Lewis Carroll Shelf Award in 1958 for Horton Hatches the Egg and again in 1961 for And to Think That I Saw It on Mulberry Street. Geisel’s birthday, March 2, has been adopted as the annual date for National Read Across America Day, an initiative on reading created by the National Education Association.

He also received two Primetime Emmy Awards for Outstanding Children’s Special for Halloween is Grinch Night (1978) and Outstanding Animated Program for The Grinch Grinches the Cat in the Hat (1982).

Geisel’s most famous pen name is regularly pronounced /suːs/, an anglicized pronunciation inconsistent with his German surname. He himself noted that it rhymed with “voice”. Alexander Laing, one of his collaborators on the Dartmouth Jack-O-Lantern, wrote of it:

You’re wrong as the deuce
And you shouldn’t rejoice
If you’re calling him Seuss.
He pronounces it Soice (or Zoice)

Geisel switched to the anglicized pronunciation because it “evoked a figure advantageous for an author of children’s books to be associated with—Mother Goose” and because most people used this pronunciation. He added the “Doctor (abbreviated Dr.)” to his pen name because his father had always wanted him to practice medicine.

So whether or not you heard Horton’s Who or salivate over his breakfast suggestion of Green Eggs and Ham, take a moment and say Thank You to the one main character to whom millions of kids have related to for years, Dr. Seuss.