Copywriters’ Virtual Summit 2020

The American Writers and Artists Institute (AWAI) sends me email frequently. When I read one about a virtual summit for copywriters, I was intrigued. It was free, so I signed up. Fortunately, in registering for this free webinar, I could listen to the four+ hours of its content both live and at my leisure.

Addressing those writers out there, I think this will be well worth your time. Some of the highlights are outlined below as to what you can expect to gain as well as the current version of pricing for various writing projects. So grab a comfy chair, sit back and take a listen. Don’t forget to download the pricing guide for later reference.

10 bits of what you’ll discover….

  • How to deliver the quicker “on demand” content customers want…
  • What Google really wants when it comes to content (and why you can’t fool it…)
  • How to make your blog stand out among over the more than 1 billion blogs on the Internet…
  • Why content curation is hot – and the first step to becoming an in-demand master curator and influencer…
  • The subtle distinctions between regular copywriting and UX copywriting and why it will set you apart as a copywriter…
  • The basic formula from writing successful “chatbot” copy that feels human and why every copywriter will need to learn it…
  • The three types of newsletters you should be pitching to virtually every client you have…
  • The future of long-form video and why tomorrow’s copywriters in some niches will need to learn “Hollywood” scriptwriting and storytelling techniques…
  • Why email is “cool” again — and how copywriters can use email to generate the most sales on a word-for-word basis…
  • COPYWRITERS AND COVID-19!

 

AWAI Virtual Summit

Beginning with a 10,000-foot view of the copywriting industry as it stands today, AWAI’s 2020 State of the Industry Report and Copywriting Pricing Guide offers a deep dive into the immediate “state” of direct response and the copywriting needs of the market.

AWAI 2020 PriceGuide

It starts with the must-read overview “7 Marketing Trends and Predictions for Staying Connected to Your Customers” – where today it’s all about audience focused engagement through video, content, mobile, personalization, search engine “micro moments” and more.

Plus:

  • What’s working best today when it comes to copywriting messaging…
  • The most effective platforms B2B buyers use when making a purchase decision…
  • The most effective copywriting platforms for attracting new customers
  • Marketing channels businesses perceive as most effective…
  • “Going rates” for over 75 copywriting projects – everything from sales letters to PPC campaigns to press releases to e-letters and more.
  • How todays royalties and retainer deals are structured…
  • How to find and recognize a skilled copywriter (if you’re a marketer) and how to know what marketers are looking for (if you’re a copywriter…)
  • How to plan and organize a copywriting project – from what to ask for as a writer, to what to be willing to supply as a marketer…
  • How to provide extraordinary value to your client as a copywriter – and earn more and higher fees in the process…

 

Your comments and feedback would be welcome as I’m interested to learn what you think or thought of this program and how it’s presented. Don’t be bashful, now!

 

When Sending A Hallmark Card Just Won’t Do.

AdWeek Special Report: 6 Tips to Help Creativity and Quarantine Co-Exist

 

In times like these I find it particularly important to share news and helpful information wherever and whenever I come across it. Such is the case with this blog post. Thanks to Adweek and its contributor, Sara Spary for the article on which this blog is based.

In the creative world, we’re used to people getting together, face-to-face, to collaborate and exchange ideas, to, well, create that next great ad or TV commercial. So what does one do when quarantine is the order of the day for just about all the known universe?

Demands for making the abnormal as close to normal abound from clients and prospective ones. Business as usual it’s not. So, how is this all working out thus far?

The trade publication Adweek asked veteran creatives around the world to “share their experiences and advice on how to keep the creative juices flowing from home”—even when COVID-19 is knocking on the front door.

Think Face-to-Face

Since you’re already used to doing this, why stop now?

“We’ve made it a point to keep interactions face-to-face whenever possible. Every meeting, regroup, catch-up, brainstorm session—no matter how big or small—is done through Google Hangouts,” said Ryan Engelbert, creative director at We Are Social New York. “It’s forced us to be even more focused on each other and more accountable for the information and ideas that are being exchanged.”

This feels weird, not to mention a bit awkward

Engelbert’s creative partner and fellow creative director Casey De Pont recommends creatives embrace the occasional awkwardness that comes with video calls, since you never know where such moments may lead.

“Video chat still feels awkward to us as humans,” Du Pont said. “There’s a lot of pressure for maximum productivity and zero wasted time when you’re digitally staring each other down, but creative development doesn’t work that way.”

Not everybody may be used to video chat but not everybody is used to uninterrupted speech in a live conference room meeting either. Goof ups and unintended pauses work the same as if you were humanly in the same room with one another.

“You need the awkward pauses and the space between ideas to let things breathe and develop. The more we can be real people in the virtual space, the more comfortable we’ll become working there,” she said.

Be a Space Cadet

Spending time alone in quarantine gives you the time to quietly explore ideas and concepts without any critics jumping down your throat. You’ve got plenty of space to think out loud if you want.

Droga5 copywriter Gabe Santana like it this way. “I think the best part about working from home is that I can lie down on the floor and say bad ideas out loud without bothering anyone,” Santana said. “Except Germany, of course.”

That would be Germany Lancaster, Droga5 art director, Santana’s creative partner and self-proclaimed homebody. Lancaster prefers to brainstorm alone and mull it all down to a few good concepts “before meshing ideas” with Santana.

“Once I’ve got a couple ideas down, I like to either present them to my partner in a deck or chat through them in hopes that they springboard into something grand. Chatting through ideas always leads to lots of laughs, so that’s definitely a bonus,” Lancaster said.

Establish a Stronger Relationship

Working remotely can really strengthen that and those relationship(s).

For Ludovic Miege, copywriter at Havas Paris, working remotely hasn’t been too much of a problem so far because he and his creative partner, art director Jordan Molina, have worked together for six years.

“For us, working like this is not very complicated because we know how to work together and do not need to see each other to work,” he said. “We can call each other all day long using Facebook, Whatsapp, Gmail, Zoom. We have many ways to communicate and exchange our ideas.

“Because of our long relationship, we know how the other one understands things. You are more efficient when your partnership is strong.”

Have a Flexible Routine

Working remotely can feel odd and awkward to those not used to doing it. Don’t overdo the video conferences and calls just to prove something. Remember, too many conference calls can lead to less time for thinking.

But Madrid-based Javier Campopiano, who recently joined Grey as chief creative officer of Grey Europe and Global, warns this will only lead to burnout. He says keeping structure in your day is important.

“Right now, I try to keep a routine. My kids are not going to school so we don’t need to wake up as usual, but we’re trying to keep the same schedule. I try to exercise on the balcony, because I can’t go for a run—we can get a fine—so I exercise and then shower,” he told Adweek. “I dress up to work, maybe less formally than I usually do, and I sit in front of my computer in my little office here at home.”

So you work in your pajamas. So what?

Depending on what kind of routine one is used to doing, spending the day in your PJ’s may feel very normal. If not, that’s okay, too.

Mariana Albuquerque, a creative copywriter working in Ireland suggests “the main challenge is not being distracted by other people—or animals—in your home, and understanding the time to start working and finishing it,” she said. “Since I’ve been working from home for a week, I’ve created a routine for myself. I do wear comfy PJs, though. It doesn’t make me feel lazy at all. But I do comb my hair in case of a video call.”

Her creative partner and art director, Carina Caye Branco, urges the most important thing of all is open communication.

“Communication is key, and trying to organize our day and tasks. Be online all the time, or at least tell your partner if you need to go offline and how long,” she said. “And keep a record of everything you’re thinking/doing. [That has] been proving really helpful for us.”

Sara Spary is a freelance journalist based in London. She’s been a reporter for eight years, covering advertising and consumer brands.

Innovation: There’s Apple, Samsung and the Rest of Us

We hear it probably more than we should. Is it becoming an overused word or has it attained that status yet?

Yes, I believe “innovation” is an overused word. And, it’s applied by folks, some of whom should know better, who think every creative endeavor is innovative.

I wish that were the case. It’s not.

OK, reality check time.

According to Wikipedia, “innovation” is the application of better solutions that meet new requirements, unarticulated needs, or existing market needs. This is accomplished through more effective products, processes, services, technologies, or ideas that are readily available to markets, governments and society. The term innovation can be defined as something original and, as a consequence, new that “breaks into” the market or society.

So, the next time you change that blue logo to green and make it larger (along with a change of font, of course), you’re not being innovative. It may still be questionable as to how creative you’re actually being.

Of course, innovation goes far beyond a logo or font change. Today’s innovative spheres are super competitive. Just look at the escalating war between Apple and Samsung.

In a recent article by the Associated Press in the Houston Chronicle, the two are back in court this week, accusing each other of stealing ideas and features on their smartphones. Litigation could lead to more expensive devices for the consumer and slow the overall pace of mobile innovation.

The Chronicle article cites Rutgers Law School professor Michael Carrier as saying, “What’s even more worrisome for the effect on innovation is the impact on small innovators. Apple and Samsung can afford this litigation. The next upstart cannot.”

Apple and Samsung are in a league of their own. They share that “super league” with the Googles, Amazons and Microsofts.

For the rest of us on this planet, how should we approach innovation? What should our mindset be?

Well, according to a creative team leader at Google, one should only start looking to innovate when:

– one has totally nailed every best practice and has tapped out on what that can deliver,
– one has an insight to justify an innovative approach.

Otherwise, he says, what one ends up making is gimmickry, inevitably destined for the digital landfill.

One thing is for certain:  We cannot stop innovating, thinking differently, and, yes, counting our failures (they will come, ya know).

So, what’s your take? 

Agree? – Disagree? – Thoughts? – Comments?